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동아시아에서 전시와 이데올로기의 관계에 대하여 : 한국과 일본 국립박물관의 상호 문화재 전시의 중요성을 중심으로
Exhibition and Ideology in East Asia : ―Focusing on the significance of the exhibition exchanges between Korea and Japan
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 현대미술학회 현대미술학 논문집 현대미술학 논문집 제11호 KCI Accredited Journals
- 발행연도
- 2007.12
- 수록면
- 137 - 165 (29page)
이용수
동아시아에서 전시와 이데올로기의 관계에 대하여 : 한국과 일본 국립박물관의 상호 문화재 전시의 중요성을 중심으로
초록· 키워드
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This paper aims at discussing exhibition exchanges between Korea and Japan from the perspective of ideology and exhibition. The tradition of exchanging exhibitions between Korean and Japanese can be divided into three periods : (1) the pre?modern period (before 1905), when Japan especially displayed cultural themes about Korea. (2) Japanese colonial period from 1910 to 1945, and (3) the modern period from 1945 to the present day (2007).
First, the early display of cultural subjects between Korea and Japan largely based on the ideology that the Japanese desired to import advanced foreign culture from abroad, especially that of the closest neighbor country, Korea. As early as the 6th century during the Asuka(飛鳥) period, Japanese already displayed Korean Buddhist art. After such spiritual beginning with Korean Buddhist art, exquisite Korean stoneware tea bowls became greatly admired items in Japanese tea ceremonies. The Joseon dynasty envoys(朝鮮通信使) sent to Tokugawa bakufu(?川幕府) introduced Korean sophisticated culture including music, literature, calligraphy and painting, archery, chariot?riding based on the Six Arts(六藝) of Confucianism, together with special letter from the King of Jonseon to Tokugawa Bakufu. These early events can be considered as a type of exhibition prior to western style museums started to appear in Korea and Japan.
Second, from 1910 to 1945 during Japanese colonial period, due to political consideration, Japan introduced Japanese art as well as museum system into Korea. It is based on her admiration toward European art and culture, which prompted Japan to apply its museum system to Korea in 1915 to spread Japanese ideology and colonial policy. Japan ordered the royal palace to be opened to the public in 1909 under the new name of Yi Royal Art Museum(李王家博物館). In 1915, the Japanese colonial authority established the so?called Imperial Museum(?督府博物館) in Seoul, Korea. Within Japan, Japanese in meiji era had already brought in European museum concept and tried to begin the first Japanese museum at Yushima temple(湯島聖堂) for Wien Expo in 1872. in addition, Japan was eager to promote their modern art to show off their success in the Westernized modernism.
More recently, after the 1965 normalization of diplomatic relation between Korea and Japan, the leading national museums in Korea and Japan have sent exhibitions to each other’s cities with their own special interest in order to highlight the power of culture.
Tokyo National Museum has displayed Korean art since they opened Asian Art Gallery(東洋館) in 1968 even though it is rather controversial. After that, several major special exhibitions have taken place, such as: Five thousand years of Korean art (1976), Silla (1983), the Joseon dynasty envoys (1985), and Culture of Kaya (1992). Besides the national museums, museums from different prefectures and private museums have held thematic exhibitions on Korean art.
In 1986, the National Museum of Korea established an Asian art gallery which included Japanese art. From 1986 to 1994, the National Museum of Korea had borrowed Japanese cultural properties from the collection of the Tokyo National Museum, focusing on archeological artifacts, metal art, and ceramics which are related to Korean culture.
Recently, when it reopened the new museum building by the Han River in 2005, the National Museum of Korea proudly established its new Japanese gallery with the aim of increasing Korean’s understanding of Japanese art and culture. From 2005 to 2007 the most unique Japanese art such as pottery haniwa figures, makie lacquer and textile, etc., were showcased in exhibitions.
Undoubtedly, 2002 is a turning point for both countries in regard to exchange exhibitions. Korea and Japan each organized a magnificent exhibition with national treasures for the other side. To be precise, the National Museum of Korea in that year held a special exhibition of Japanese treasures with the Japanese Agency of Cultural affairs, while the Tokyo National Museum held an exhibition of Korean Treasures together with the Japanese National Museum of Ethnology.
In conclusion, Korea and Japan should start to consider more exhibitions aiming beyond their national ideologies for the purpose of much more important cause of our future generations. Especially it is far more crucial as well as beneficial to highlight exhibitions which intend to promote cultural understanding and appreciation in Asia in general and in the Northeastern Asia in particular.
First, the early display of cultural subjects between Korea and Japan largely based on the ideology that the Japanese desired to import advanced foreign culture from abroad, especially that of the closest neighbor country, Korea. As early as the 6th century during the Asuka(飛鳥) period, Japanese already displayed Korean Buddhist art. After such spiritual beginning with Korean Buddhist art, exquisite Korean stoneware tea bowls became greatly admired items in Japanese tea ceremonies. The Joseon dynasty envoys(朝鮮通信使) sent to Tokugawa bakufu(?川幕府) introduced Korean sophisticated culture including music, literature, calligraphy and painting, archery, chariot?riding based on the Six Arts(六藝) of Confucianism, together with special letter from the King of Jonseon to Tokugawa Bakufu. These early events can be considered as a type of exhibition prior to western style museums started to appear in Korea and Japan.
Second, from 1910 to 1945 during Japanese colonial period, due to political consideration, Japan introduced Japanese art as well as museum system into Korea. It is based on her admiration toward European art and culture, which prompted Japan to apply its museum system to Korea in 1915 to spread Japanese ideology and colonial policy. Japan ordered the royal palace to be opened to the public in 1909 under the new name of Yi Royal Art Museum(李王家博物館). In 1915, the Japanese colonial authority established the so?called Imperial Museum(?督府博物館) in Seoul, Korea. Within Japan, Japanese in meiji era had already brought in European museum concept and tried to begin the first Japanese museum at Yushima temple(湯島聖堂) for Wien Expo in 1872. in addition, Japan was eager to promote their modern art to show off their success in the Westernized modernism.
More recently, after the 1965 normalization of diplomatic relation between Korea and Japan, the leading national museums in Korea and Japan have sent exhibitions to each other’s cities with their own special interest in order to highlight the power of culture.
Tokyo National Museum has displayed Korean art since they opened Asian Art Gallery(東洋館) in 1968 even though it is rather controversial. After that, several major special exhibitions have taken place, such as: Five thousand years of Korean art (1976), Silla (1983), the Joseon dynasty envoys (1985), and Culture of Kaya (1992). Besides the national museums, museums from different prefectures and private museums have held thematic exhibitions on Korean art.
In 1986, the National Museum of Korea established an Asian art gallery which included Japanese art. From 1986 to 1994, the National Museum of Korea had borrowed Japanese cultural properties from the collection of the Tokyo National Museum, focusing on archeological artifacts, metal art, and ceramics which are related to Korean culture.
Recently, when it reopened the new museum building by the Han River in 2005, the National Museum of Korea proudly established its new Japanese gallery with the aim of increasing Korean’s understanding of Japanese art and culture. From 2005 to 2007 the most unique Japanese art such as pottery haniwa figures, makie lacquer and textile, etc., were showcased in exhibitions.
Undoubtedly, 2002 is a turning point for both countries in regard to exchange exhibitions. Korea and Japan each organized a magnificent exhibition with national treasures for the other side. To be precise, the National Museum of Korea in that year held a special exhibition of Japanese treasures with the Japanese Agency of Cultural affairs, while the Tokyo National Museum held an exhibition of Korean Treasures together with the Japanese National Museum of Ethnology.
In conclusion, Korea and Japan should start to consider more exhibitions aiming beyond their national ideologies for the purpose of much more important cause of our future generations. Especially it is far more crucial as well as beneficial to highlight exhibitions which intend to promote cultural understanding and appreciation in Asia in general and in the Northeastern Asia in particular.
목차
Ⅰ. 서론
Ⅱ. 동아시아에 있어서 전시와 이데올로기의 관계
Ⅲ. 전근대의 한ㆍ일 문화재 교류
Ⅳ. 근대의 한ㆍ 일 문화재 전시
Ⅴ. 현대의 한ㆍ일 문화재 전시 교류
Ⅵ. 결론
참고(표) 일본에서 개최된 한국문화재 관련 전시 도록 목록
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