지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In this article, I discussed the challenges that exist today in preserving and leveraging Chinese traditional folk ballads, with the case of bai mao shan ge as an example, and sought for posible solution.
Bai mao shan ge is the collective term for the folk ballads traditionally handed down in the Bai mao area, Chang shu shi, Jiangsu Sheng, China. It was a natural tradition until early 1950s. Ever since then, however, it has been handed down with the local administrative intervention and utilized by that same power. As the traditional production processes and people’s lifestyle have changed, the tradition of bai mao shan ge is gradually fading. The local government and researchers have made efforts for inheriting, preserving and leveraging bai mao shan ge, which has some major problems. The biggest problem is that they have treated it without considering its components. Folk ballads must be treated as a composite “culture” that comprises such elements as music, literature, the places where they are sung, singers, and audience. These five elements’ interaction makes up the dynamics of folk ballads. To preserve the folk ballads, it is necessary to record and retain the “culture” of folk ballads based on the various places where they have been sung. This is also true for other areas in China today.
Leveraging the folk ballads, on the other hand, is not a new issue, at least in the case of bai mao shan ge. Many attempts have been made to utilize bai mao shan ge for more than fifty years, and through that processes, some problems have become clear, which helps great deal to figure out how to make effective use of the folk ballads. In a word, preserving the folk ballads is the key. If they fail to preserve them properly, they will have less resources to leverage. Particularly, in today’s China, preservation of the folk ballads including bai mao shan ge is a pressing issue that needs immediate solution.
Bai mao shan ge is the collective term for the folk ballads traditionally handed down in the Bai mao area, Chang shu shi, Jiangsu Sheng, China. It was a natural tradition until early 1950s. Ever since then, however, it has been handed down with the local administrative intervention and utilized by that same power. As the traditional production processes and people’s lifestyle have changed, the tradition of bai mao shan ge is gradually fading. The local government and researchers have made efforts for inheriting, preserving and leveraging bai mao shan ge, which has some major problems. The biggest problem is that they have treated it without considering its components. Folk ballads must be treated as a composite “culture” that comprises such elements as music, literature, the places where they are sung, singers, and audience. These five elements’ interaction makes up the dynamics of folk ballads. To preserve the folk ballads, it is necessary to record and retain the “culture” of folk ballads based on the various places where they have been sung. This is also true for other areas in China today.
Leveraging the folk ballads, on the other hand, is not a new issue, at least in the case of bai mao shan ge. Many attempts have been made to utilize bai mao shan ge for more than fifty years, and through that processes, some problems have become clear, which helps great deal to figure out how to make effective use of the folk ballads. In a word, preserving the folk ballads is the key. If they fail to preserve them properly, they will have less resources to leverage. Particularly, in today’s China, preservation of the folk ballads including bai mao shan ge is a pressing issue that needs immediate solution.
목차
1. 백묘山歌 관련 자료의 수집과 정리 성과
2. 백묘山歌의 전승 형태
3. 백묘山歌를 어떻게 보존하고 활용할 것인가
4. 맺음말
〈附?〉
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