지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In the 1990s, expanding the discourse on korean popular films is closely related with the change of representing popular films, which are linked with the Korean society's political progress that has continually proceeded since the 1980s. it is the most significant factor for the change or development of korean popular films through the experience of modernity to enlarge the discourse of Korean films.
Korean society was dominated by its hard state in the process of fast economic growth so called 'condensed modernization' in the 1960s and the 1970s. However, korean society could gradually experience the transference of 'pluralistic' society by means of people's demand of political resistance and rejection belonged to the former power and acquired right. Also, we can find the representation of political opposition in the champ of popular culture. Until the mid 1980s or the democratic struggle in 1987, it was tried to represent the resistance through propagative popular culrures encouraging the democratic struggle inside the structure of dichotomy such like the songs of popular movement or uncommercial films.
However, after the 1990s, this politics appeared in popular films as wide as Korean society's limit of recognition on 'pluralism' was represented as a device of resisting dominative ideology in the category of everydayness-family, school and urban sace. In other words, that is represented as resisting the structural repression ad oppression used by means of a tool of power and dominance in the process o modernization or Bourdieu's 'symbolic power'.Therefore, the structural subject ad agreement, that is to say, to influence on each subject's life by a state is appeared through a interactive relationship in the diverse levels.
As Korean society's process of modernization so-called state or government quickly achieved 'condensed modernity', there are very complex secondary effects. Korean popular films tried to expanded their discourse through representing the opposition to the dominative ideology and state leading the 'condensed modernity'. It is still undecided to evaluate on the change of popular films. However, it surely has a significant meaning in the aspect of expanding such a discourse.
Korean society was dominated by its hard state in the process of fast economic growth so called 'condensed modernization' in the 1960s and the 1970s. However, korean society could gradually experience the transference of 'pluralistic' society by means of people's demand of political resistance and rejection belonged to the former power and acquired right. Also, we can find the representation of political opposition in the champ of popular culture. Until the mid 1980s or the democratic struggle in 1987, it was tried to represent the resistance through propagative popular culrures encouraging the democratic struggle inside the structure of dichotomy such like the songs of popular movement or uncommercial films.
However, after the 1990s, this politics appeared in popular films as wide as Korean society's limit of recognition on 'pluralism' was represented as a device of resisting dominative ideology in the category of everydayness-family, school and urban sace. In other words, that is represented as resisting the structural repression ad oppression used by means of a tool of power and dominance in the process o modernization or Bourdieu's 'symbolic power'.Therefore, the structural subject ad agreement, that is to say, to influence on each subject's life by a state is appeared through a interactive relationship in the diverse levels.
As Korean society's process of modernization so-called state or government quickly achieved 'condensed modernity', there are very complex secondary effects. Korean popular films tried to expanded their discourse through representing the opposition to the dominative ideology and state leading the 'condensed modernity'. It is still undecided to evaluate on the change of popular films. However, it surely has a significant meaning in the aspect of expanding such a discourse.
목차
1. 들어가는 말
2. 가족의 재현
3. 맺음말
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Abstract
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