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자료유형
학술저널
저자정보
저널정보
한국영화학회 영화연구 영화연구 17호
발행연도
2001.8
수록면
101 - 121 (21page)

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초록· 키워드

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A theme of this article is why a Korean film industry has been increased rapidly, in the late 1990s.
A scale of entertainment industry of Korea has been increased rapidly, in 1990s. A K-pop market led the growth of korean entertainment industry, and a korean film industry was after the K-pop industry. Hollywood films had dominated the korean film market until the mid 1990s. The market share of Korean films, however, has increased since the appearance of New Chung-muro style so called ki-hack film (planned film). Nobody was positive that the New Chung-muro style films get the better quality, but a portion of the market was increased. I take a look into five categories of reasons in Cultural Studies' position.
The first, a change of political status in 90s, second, a spread of Consumerism, third, the growth of entertainment business, fourth, a spread of discourses of film, fifth, a spread of a cyber word.
An Ideology is the one of key points in popular culture and New Gramscism is used as cognition of Cultural Studies. The popular culture is the front line of the class struggle, in hegemony theory. That is why I examine political status.
A consumption is one of main section of Cultural Studies and a side of post-modernism, and a popular culture is main consumption of the new generation.
The increasing of culture section of newspapers is the reason of discourses of culture, and discourses of film.
The cyber world, hyper - reality and film industry affect each other.
The boom of korean film in 1990s is not the symbol of the Korean film industry.

목차

Ⅰ. 들어가는 말
Ⅱ. 몸말
Ⅲ. 나오는 말
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