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자료유형
학술저널
저자정보
저널정보
한국영화학회 영화연구 영화연구 22호
발행연도
2003.12
수록면
145 - 175 (31page)

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초록· 키워드

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Film style is a film' s systematic and significant use of techniques of the medium. Those techniques fall into broad domains: mise en scene(staging, lighting, performance, and setting); framing, focus, control of color values, and other aspects of cinematography; editing; and sound. Style is, minimally, the texture of the mill s images and sounds, the results of choices made by the filmmaker(s) in particular historical circumstances.
Style bears upon the single film. We can of course discuss style in other senses. We may speak of individual style. We may talk of group, the style of Soviet Montage filmmaking or of the Hollywood studios. In either case we will be taking, minimally, about characteristic technical choices, only now as they recur across of a body of works. We may also be talking about other properties, such as narrative strategies or favored subjects or themes. Nonetheless, recurring characteristics of staging, shooting, cutting, and sound will remain an essential part of any individual or group style.
Analysis of films can proceed in two directions, and these are far from equivalent, Most importantly, films can be analysed in terms of their construction and their relation to their makers. Less importantly, films can be analysed in terms of response of the spectators. Of course film-makers also form part of the audience, and they are the part that is capable of the fullest response and understanding. It is in relation to them that the film comes closet to being something like a language system. This thesis is a practical analysis of style on director Lee Man Hee, Therefore the purpose of this thesis is to study of the style of Lee Man Hee, and also of the stylistic quality in context of korean film history.

목차

1. 들어가는 말
2. 전쟁영화
3. 멜로드라마
4. 문예 영화
5. 미스테리, 스릴러 영화
6. 맺는 말
참고문헌
ABSTRACT

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