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"Tintern Abbey" commands a prestigious status In Lyrical Ballads of 1798, in which it first appears, because of its conclusive location and Wordsworth's outpouring of poetic genius. Many critics have approached this poem as a remarkable manifestation of Romantic unity, drawing heavily on a sense of affirmation, harmony, and continuity. But the same poem expresses uncertain doubts about that unity. Arguably, there is something that refuses to be melted into a seemingly unitary whole. This poem's poetic resonance is found to be almost equally divided between conflicting poetic motifs that include the Question of sameness and difference, presence and absence, and temporal and spatial (dis-)continuity. Indebted to scholarly discoveries that primarily concern the way poetic language works, this paper aims to show how "Tintern Abbey" employs a linguistic mechanism that concedes the co-existence of unity and doubts. The recurrent poetic occasions of strange structural dislocations and linguistic hesitations can approvingly demonstrate that this poem is built as much on lingering doubts as on reflective confirmation.
It is significant to see how Wordsworth's way with language works. From the very beginning, the (dis)continuity of human life is reflected and paralleled by that of the poetic form. Wordsworth delivers his psychic energy by sheer movements of words and syntactic elements. What is at stake is how to deal with the brilliant, careful performance of language played on each line and verse paragraph. The workings of words and syntactical elements-punctuations, syntax, wording, metre, and varied style, for example-all suggest that they are vehicles of operating the poet's thinking, rather than merely a means of articulating thoughts. "Tintern Abbey" is a strong case of how Wordsworth is doing with language to address his creative imagination in terms of the poetic motif of sameness and difference, and of feelings of loss and continuity.
It is significant to see how Wordsworth's way with language works. From the very beginning, the (dis)continuity of human life is reflected and paralleled by that of the poetic form. Wordsworth delivers his psychic energy by sheer movements of words and syntactic elements. What is at stake is how to deal with the brilliant, careful performance of language played on each line and verse paragraph. The workings of words and syntactical elements-punctuations, syntax, wording, metre, and varied style, for example-all suggest that they are vehicles of operating the poet's thinking, rather than merely a means of articulating thoughts. "Tintern Abbey" is a strong case of how Wordsworth is doing with language to address his creative imagination in terms of the poetic motif of sameness and difference, and of feelings of loss and continuity.
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참고문헌 (21)
참고문헌 신청
[학술지(정기간행물)] - Abrams, Meyor Howard / 2003 / The Norton Anthology of English Literature. 7th ed. 2
[학술지(정기간행물)] - Austin,Frances / 1989 / The Language of Wordsworth and Coleridge
[학술지(정기간행물)] - Childers, Joseph, / 1995 / The Columbia Dictionary of Modern Literature and Cultural Criticism
[학술지(정기간행물)] - Samuel Taylor / 1957-1973 / The Notebooks of Samuel Taylor Coleridge 3 s
[학술지(정기간행물)] - / 1995 / On Poesy of Art＂ English Romantic Writers : 607 ~ 612
[학술지(정기간행물)] - Austin,Frances / 1989 / The Language of Wordsworth and Coleridge
[학술지(정기간행물)] - Childers, Joseph, / 1995 / The Columbia Dictionary of Modern Literature and Cultural Criticism
[학술지(정기간행물)] - Samuel Taylor / 1957-1973 / The Notebooks of Samuel Taylor Coleridge 3 s
[학술지(정기간행물)] - / 1995 / On Poesy of Art＂ English Romantic Writers : 607 ~ 612
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