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논문 기본 정보
- 자료유형
- 학술대회자료
- 저자정보
- 발행연도
- 2007.6
- 수록면
- 113 - 119 (7page)
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'Five Scoops of Liquor'(Nakano Sigeharu) is a short novel published in the January issue of 『展望』 in 1947, right after being defeated in World War Ⅱ. This piece of work is what we call an epistolary novel, in which a principal in the teaching profession of a secondary school under the old system writes letters to his friend.
He has a few drinks (Rationed liquor by the Constitution) and gives vent to his pent up fury, anger, and frustration against the post war circumstances of society and life. He was just a teacher who wanted to "stay with his young students and go with them, though moving slowly along on hands and knees, and wanted to give encouragement and guidance to them." He prayed to stay with the boys, with his everything at risk. But he couldn't do anything for them at war.
Far from 'being with them, though moving along on hands and knees', he could not help seeing his students and young fellows leaving for battlefields. This engraves a deep feeling of sin, remorse, and a sort of lingering attachment that can't be cut out or abandoned in his heart. A deeply engraved lingering attachment or regret does adhere to him and will not get away from his mind, because it is related to 'a lingering attachment or regret for the future', rather than ending up with 'a sentiment for the past that can not be undone'. This hazy feeling of lingering attachment or regret makes him heartbroken. From the start of having this feeling, he cannot but stare at his inside, of which confusion makes him stagger uncontrollably. The sin that a lot of Japanese, including him, might have felt or committed at war will not be brought to the public as a national unsettled issue nor be treated substantially. This dismal foreboding of the future makes his mind become more and more chaotic. The start line of dealing with or correcting the past wrongdoings should be from clarifying the reason why the past turned out to be. Otherwise, we can't make our new future. 'A Practical Hope' lies in making the reasons clear.
His sin turns out to be a foundation of postwar Japan, without taking any responsibility of the war. This ominous presentiment overlaps the promulgation of a new constitution that can be a postwar symbol. Those situations make him desire to get drunk and run away.
Nevertheless, his feeling of lingering attachment has a factor of significance that can be referred to as 'Practical Hope'. It is because every country has its own painful and remorseful history, and we believe that a bright prospect can be made on our truthful and ardent effort to find a ray of hope in feelings of lingering attachment, remorse, despair, and dismal history stained with pain. It may be that a practical hope will come true in the midst of connecting the past of wrongdoings with the resultant present without discontinuity.
He has a few drinks (Rationed liquor by the Constitution) and gives vent to his pent up fury, anger, and frustration against the post war circumstances of society and life. He was just a teacher who wanted to "stay with his young students and go with them, though moving slowly along on hands and knees, and wanted to give encouragement and guidance to them." He prayed to stay with the boys, with his everything at risk. But he couldn't do anything for them at war.
Far from 'being with them, though moving along on hands and knees', he could not help seeing his students and young fellows leaving for battlefields. This engraves a deep feeling of sin, remorse, and a sort of lingering attachment that can't be cut out or abandoned in his heart. A deeply engraved lingering attachment or regret does adhere to him and will not get away from his mind, because it is related to 'a lingering attachment or regret for the future', rather than ending up with 'a sentiment for the past that can not be undone'. This hazy feeling of lingering attachment or regret makes him heartbroken. From the start of having this feeling, he cannot but stare at his inside, of which confusion makes him stagger uncontrollably. The sin that a lot of Japanese, including him, might have felt or committed at war will not be brought to the public as a national unsettled issue nor be treated substantially. This dismal foreboding of the future makes his mind become more and more chaotic. The start line of dealing with or correcting the past wrongdoings should be from clarifying the reason why the past turned out to be. Otherwise, we can't make our new future. 'A Practical Hope' lies in making the reasons clear.
His sin turns out to be a foundation of postwar Japan, without taking any responsibility of the war. This ominous presentiment overlaps the promulgation of a new constitution that can be a postwar symbol. Those situations make him desire to get drunk and run away.
Nevertheless, his feeling of lingering attachment has a factor of significance that can be referred to as 'Practical Hope'. It is because every country has its own painful and remorseful history, and we believe that a bright prospect can be made on our truthful and ardent effort to find a ray of hope in feelings of lingering attachment, remorse, despair, and dismal history stained with pain. It may be that a practical hope will come true in the midst of connecting the past of wrongdoings with the resultant present without discontinuity.
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