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초록· 키워드
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Mushindo, portrait of the god that a shaman follow and receives its spirit is known more for its value in folk religion than for its artistic value.
Traditionally, the narrative contents of korean folk stories are based on the resentment. Mixed with this, trational belief, that is born out of the primitive shamanism evolved as shamanistic disposition of korean people over the time.
The shamanistic character, perceived as unique in Koreans, has developed the religious ritual called shaman ceremony or exorcism. The sociopsychological function of exorcism emerged as a way to get rid of 'resentment' in the process by communicating with various spirits of the unknown world and also to carry out wishes of the community.
Mushindo, is an indicator of communication in the shamanistic 'perfomance' because a shaman is believed to call on the person in the portrait by using the bell and fan as tools when the shaman goes into the trance. The various kinds of icons in portraits of the shamanistic spirits, Mushindo, stand as symbols governing over good or bad fortunes.
In today's world, when modern culture reaches out for secularization, the shamanistic magic or other shamanistic elements can serve as a medium to enter transcendental planes. It is my intention to describe and identify the shamanistic characteristics of icons in Mushindo and explore the possible correlation between this traditonal painting genre and the contemporary modern culture.
Traditionally, the narrative contents of korean folk stories are based on the resentment. Mixed with this, trational belief, that is born out of the primitive shamanism evolved as shamanistic disposition of korean people over the time.
The shamanistic character, perceived as unique in Koreans, has developed the religious ritual called shaman ceremony or exorcism. The sociopsychological function of exorcism emerged as a way to get rid of 'resentment' in the process by communicating with various spirits of the unknown world and also to carry out wishes of the community.
Mushindo, is an indicator of communication in the shamanistic 'perfomance' because a shaman is believed to call on the person in the portrait by using the bell and fan as tools when the shaman goes into the trance. The various kinds of icons in portraits of the shamanistic spirits, Mushindo, stand as symbols governing over good or bad fortunes.
In today's world, when modern culture reaches out for secularization, the shamanistic magic or other shamanistic elements can serve as a medium to enter transcendental planes. It is my intention to describe and identify the shamanistic characteristics of icons in Mushindo and explore the possible correlation between this traditonal painting genre and the contemporary modern culture.
목차
Ⅰ. 들어 가는 글
Ⅱ. 본론
Ⅲ. 나가는 글
참고문헌
Abstract
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