지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study is about the women of costume in red Miao. This paper focuses on three key aspects as follows:
Firstly, for the historic change of the Miao Culture, the Miao ancients were constantly moving from the central China to the Southwest after they were defeated by the Chinese dominant dynasties. During the migration, some Miao people came to adapting the life style of the Han and other nations, and gradually melt into these nations. However, the others still have kept their traditional Miao culture till now. In addition, during the migration of the Miao, the physical, social and political environments in which they lived have changed as well. It is the important reason that cultivates the different Miao cultures and the different branches, and develops different costume culture.
Secondly, for the development background of the Red Miao, the Miao branches are always classified according to the costume characteristics. The Red Miao's name derived from the red skirt of women. the natural living environment causes the red clothing dye(染料)in the Red Miao area And the social and political conditions, for instance, the varied policies of communication with the Han people or living with other nations, also bring about a bigger change of the Red Miao costume color.
Thirdly, comparing with the Festival female costume of Red Miao between modern and the Quing Dynasty(淸代), this paper tries to find the important factors affecting the costume development.
The current female costume in Songtao(松桃) region almost have the same characteristics of the Manchurian(滿族) dress due to the big impact of the centralizing politics in the Quing Dynasty. But in Lewang(樂旺) region which was not controlled by the Manchurians, the Red Miao people live with the Buyi nation(布依族). They not only use the Buyi costume color and headcloth(頭巾) style in their current costume, but also use the shell and red color in their head ornaments and the hem line of skirt(裙邊) like the Red Miao in the Quing Dynasty did.
Firstly, for the historic change of the Miao Culture, the Miao ancients were constantly moving from the central China to the Southwest after they were defeated by the Chinese dominant dynasties. During the migration, some Miao people came to adapting the life style of the Han and other nations, and gradually melt into these nations. However, the others still have kept their traditional Miao culture till now. In addition, during the migration of the Miao, the physical, social and political environments in which they lived have changed as well. It is the important reason that cultivates the different Miao cultures and the different branches, and develops different costume culture.
Secondly, for the development background of the Red Miao, the Miao branches are always classified according to the costume characteristics. The Red Miao's name derived from the red skirt of women. the natural living environment causes the red clothing dye(染料)in the Red Miao area And the social and political conditions, for instance, the varied policies of communication with the Han people or living with other nations, also bring about a bigger change of the Red Miao costume color.
Thirdly, comparing with the Festival female costume of Red Miao between modern and the Quing Dynasty(淸代), this paper tries to find the important factors affecting the costume development.
The current female costume in Songtao(松桃) region almost have the same characteristics of the Manchurian(滿族) dress due to the big impact of the centralizing politics in the Quing Dynasty. But in Lewang(樂旺) region which was not controlled by the Manchurians, the Red Miao people live with the Buyi nation(布依族). They not only use the Buyi costume color and headcloth(頭巾) style in their current costume, but also use the shell and red color in their head ornaments and the hem line of skirt(裙邊) like the Red Miao in the Quing Dynasty did.
목차
〈Abstract〉
Ⅰ. 서론
Ⅱ. 苗族의 歷史와 紅苗의 형성
Ⅲ. 現代 紅苗 服飾의 특징
Ⅳ. 淸代 紅苗 服飾
Ⅴ. 淸代ㆍ現代 紅苗服飾 比較
Ⅵ. 결론
참고문헌
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
중국 묘족(苗族) 복식(服饰) 이미지를 응용한 아트웨어 디자인 연구
한복문화
2011 .08
-
중국 소수민족의 의상을 재해석한 패션디자인 연구
한국의상디자인학회지
2011 .06
-
中國 苗族服飾에 나타난 紋樣의 造形性 硏究
한복문화
1998 .10
-
미국의 축제복식과 전통복식
한국의상디자인학회지
1999 .08
-
이묘산(二妙散) 추출물이 인간 진피 섬유아세포 증식에 미치는 영향
아시안뷰티화장품학술지
2013 .01
-
가야 복식에 관한 연구
한국의류학회 학술발표논문집
2009 .01
-
청대(淸代) 견의(肩衣)류를 응용한 패션디자인 연구
한국디자인문화학회지
2012 .12
-
Red of two faces
International Invitation Exhibition of Color Works
2017 .11
-
Red on Red
AIC 2017 Jeju
2017 .10
-
중국 귀주성 마이오족여성의 백습군에 관한 연구
한국의류산업학회지
2004 .01
-
A Study on Costume Culture Interchange Resulting from Political Factors
한국의류학회지
2006 .01
-
중국 구이저우성(貴州省) 미아오족(苗族)의 은장식(銀裝飾)
한복문화
2009 .08
-
한국 근대소설에 표현된 여자복식 : 1910년~1945년을 중심으로
한국의상디자인학회지
2003 .09
-
苗族传统织带种类及工艺
아시아민족조형학보
2019 .06
-
POWER Red
International Invitation Exhibition of Color Works
2014 .11
-
중국 묘족복식에 나타난 문양 연구 : 납염ㆍ자수ㆍ금직을 중심으로
한복문화
2009 .08
-
복식형태 변화에 영향을 미친 요인에 대한 연구 : 18세기의 조선과 프랑스 복식비교를 중심으로
한복문화학회 학술대회
2007 .05
-
조선시대 궁중정재복식의 디자인 요소와 특성
한국디자인포럼
2014 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-592-016321700