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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제11권 2호
발행연도
2007.8
수록면
229 - 254 (26page)

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The purpose of this paper is to explore the function of paradox embodied in John Keat’s poetry. In spite of the poet’s short lifetime, he did his best to resolve mental agonies and miseries of human being. To achieve this, Keats reveals the contrast between ugliness and beauty, reality and dream, lie and truth, pain and delight, mortality and immortality. Therefore many opposites are prevalent throughout the world of Keat’s poems. His supreme aim in his odes is to enjoy delight in melancholy, and pleasure in pain. Even Keats feels the highest intensity of eternity as an approximation to death. This suggests that Keats has the sense of equality between death and life, body and soul, actuality and illusion. It can be achieved by a very paradoxical point of view on the poetical technique related with a contrastive and oxymoronic idea.
On a superficial reading, we are under a false impression that Keats expresses physical aspect prior to spiritual one in “Ode to Psyche.” But the poet reverses his intent through the process of the poem little by little. By the end of the poem, Keats accepts the suffering of body pleasantly, which paradoxically awakens his soul in return for his effort. In “Ode on a Grecian Urn,” he also expresses a desire for eternity, paradoxically recognizing the absoluteness over the relativity. In “To autumn”, Keats overcomes the limitations of our earthly life by firmly accepting the rule of mutability. Viewing death and rebirth as one cycle of nature, he acknowledges universal order and harmony and finally accepts the eternity and immortality of human being. Keats, by effectively making use of paradox, obtains the energy of imagination and inspiration about life and death, and he achieves a unique vision for the newly unified world of harmony and order by means of the coexistence of sense and eternity which seem to contradict each other from a logical point of view.

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