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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In this study, the subjects of analysis are several pieces of poems in which authors demonstrate the readers among the works of two poets, Hwang Ji-Woo and Jang Jeong IL, who seek for the freedom in enunciation with dissolution of traditional concepts of poems. In the case of Jang Jeong IL, the type of words of dramas that ask readers of poems to be audience showing a piece of drama, the poems that adopt historical epic type of like diaries recording daily lives, and metapoetry that makes readers enter as a new narrator in the process of writing by authors. However, finally, a challenge for initiation of speakings was made by poets themselves to be the real poets with seeking of or the entities of their egos. Therefore, the voices narrators are similar to the reflection of asides.
At first, this study pays attention to the ‘metapoetry’, the critical form of the modern poetry. The metapoetry was issued by the Dieter Lamping and has been discussed in Korea since the 80th. However the precedent discussions could not give the consistent standards for metapoetry and made some ambiguities to differ metapoetry from parody poetry. To clarify this ambiguities, the metapoetry should not be considered as the radical form of the poems themselves originally inhered in the genre of the poetry. The metapoetry as follows, ‘the poems written above the precedent texts’ or ‘the poem writing about the processes of the writing texts with the voices of the poet’.
Hwang Ji-Woo pursues the dissolution of genre in the doubt of the metaphorical thought, and makes his works be filled with the law-images which reflect the pheonomena of the things themselves. The dissolutions of structure are observed in the metonymical languages and the opened structures of these poems.
At first, this study pays attention to the ‘metapoetry’, the critical form of the modern poetry. The metapoetry was issued by the Dieter Lamping and has been discussed in Korea since the 80th. However the precedent discussions could not give the consistent standards for metapoetry and made some ambiguities to differ metapoetry from parody poetry. To clarify this ambiguities, the metapoetry should not be considered as the radical form of the poems themselves originally inhered in the genre of the poetry. The metapoetry as follows, ‘the poems written above the precedent texts’ or ‘the poem writing about the processes of the writing texts with the voices of the poet’.
Hwang Ji-Woo pursues the dissolution of genre in the doubt of the metaphorical thought, and makes his works be filled with the law-images which reflect the pheonomena of the things themselves. The dissolutions of structure are observed in the metonymical languages and the opened structures of these poems.
목차
1. 시에 대한 인식의 전환과 새로운 문화의 패러다임
2. 탈모방과 메타시
3. 미적 저항과 형태 파괴
4. 결론
참고문헌
〈Abstract〉
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