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There are many historical novels. Historians want a novelist to study a lot of sources and to think with different views correctly and synthetically about his or her material when he or she write a historical novel; the novelist can express appropriately about the traditional features and typical characters through the process.
Hwang Jin-ee( 黃眞伊) by Hong, Seok-joong(洪錫中) in North Korea is an excellent historical novel in this view.
There are four original historical records about Hwang Jin-ee but Chinese poetry and shijoes(Korean odes; a kind of short lyric poem). But only three are left which show the thought of the time. The first of them is Eouyadam(於于野談; a historical romance) by Yu Mong-in(柳夢寅), which was written before the other two. Yu Mong-in, who was an administer, found Hwang Jin-ee's activism beyond any restriction and her self-realization. She was a different person. One of the other two is Songdokiee(松都奇異) by Lee, Deok-hyeong(李德泂), and the last is Chisorok(識小錄) by Heo, Kyoon(許筠). Lee, Deok-hyeong was a leader to form the main family of the gentry in Korea and he was caught Ms. Hwang's traditional beauty and a kisaeng's charm and aroma. Heo Kyoon who had a revolutionary temperament described her as an 'Eein(異人)' which means outstanding heroine. Without these, we have Songdoinmulchi which was written by Kim, Taeg-yeong(金澤榮, a Neo Confucianist) long after above three but many choose it to read. He gave warning of Ms. Hwang's action for herself from a patriarchism.
Mr. Hong's Hwang Jin-ee didn't refer to Eouyadam by Yu Mong-in but chose Songdoinmulchi by Kim Taeg-yeong among the above references. This shows that he wanted to portray her kisaeng's life in ruled class prior to her self-realization. So we can tell the novel as a ‘Kisaeng Story'.
Mr. Hong designed the common people who went to ruin as a pivot. Hwang Jin-ee's life represents the common ruined and their resist. This is for their relationship with the revolutionary tradition.
Ms. Hwang has a gigolo who's called Nomi. Their relationship is destiny and the relations appear in the beginning, the middle, and the end. We can understand the Nomi is important as its heroine.
Ms. Hwang's father is a noble(兩班) in origin, but her mother is a female slave, so she becomes a humble person in this novel. Nomi is a lowly man as a male slave originally but he appears as a common(平民). He is a son whose father has no his land and make money by a daily labor as a gogong(雇工). But his parents abandoned him(遺棄兒), so he is a roamer and becomes steward for the house of Mr. Hwang(Jinsa: a successful candidate in the secondary grade civil service examination). He is disappointed in the failure with Ms. Hwang and he leaves the house to become a leader of bandits and is put to death.
Mr. Hong's Hwang Jin-ee was born in North Korea. The North Korea's historical school accept the popular resistance in the line of modern revolutionary tradition. A gang becomes a set of bandits, and the farmer's war which rose in Pyongan-do with leading of Hong Kyong-rae in 1811, resistances against Western invasions, Palchisan movement, and the North Korea's 'Juche (self-reliance) ideology(主體思想)' are followed. Nomi is a typical in the beginning of revolutionary tradition based on this 'Juche ideology'.
Mr. Hong's Hwang Jin-ee is on the literary tradition of Lee Tae-joon's Hwang Jin-ee. And this historic novel is based on 'the revolutionary tradition' not based on 'the national cultural heritage' which are North Korea's two main pivots.
So we can find some shortages. The first and the biggest is Mr. Hong's Hwang Jin-ee didn't see Chisorok by Heo Kyoon and didn't represent her outstanding character as an 'Eein'. The 'Eein' was the opposition of ‘Kunja(君子, a true gentle class)', but he or she is accepted as an important character because his or her accomplishment for subversion of a main community. Another shortage is Mr. Hong didn't represent her 'angelic beauty born in relation with water' which has been in Korean long history. This results from Mr. Hong's novel was for representing a woman who is anti feudalistic ideology through Ms. Hwang.
Hwang Jin-ee( 黃眞伊) by Hong, Seok-joong(洪錫中) in North Korea is an excellent historical novel in this view.
There are four original historical records about Hwang Jin-ee but Chinese poetry and shijoes(Korean odes; a kind of short lyric poem). But only three are left which show the thought of the time. The first of them is Eouyadam(於于野談; a historical romance) by Yu Mong-in(柳夢寅), which was written before the other two. Yu Mong-in, who was an administer, found Hwang Jin-ee's activism beyond any restriction and her self-realization. She was a different person. One of the other two is Songdokiee(松都奇異) by Lee, Deok-hyeong(李德泂), and the last is Chisorok(識小錄) by Heo, Kyoon(許筠). Lee, Deok-hyeong was a leader to form the main family of the gentry in Korea and he was caught Ms. Hwang's traditional beauty and a kisaeng's charm and aroma. Heo Kyoon who had a revolutionary temperament described her as an 'Eein(異人)' which means outstanding heroine. Without these, we have Songdoinmulchi which was written by Kim, Taeg-yeong(金澤榮, a Neo Confucianist) long after above three but many choose it to read. He gave warning of Ms. Hwang's action for herself from a patriarchism.
Mr. Hong's Hwang Jin-ee didn't refer to Eouyadam by Yu Mong-in but chose Songdoinmulchi by Kim Taeg-yeong among the above references. This shows that he wanted to portray her kisaeng's life in ruled class prior to her self-realization. So we can tell the novel as a ‘Kisaeng Story'.
Mr. Hong designed the common people who went to ruin as a pivot. Hwang Jin-ee's life represents the common ruined and their resist. This is for their relationship with the revolutionary tradition.
Ms. Hwang has a gigolo who's called Nomi. Their relationship is destiny and the relations appear in the beginning, the middle, and the end. We can understand the Nomi is important as its heroine.
Ms. Hwang's father is a noble(兩班) in origin, but her mother is a female slave, so she becomes a humble person in this novel. Nomi is a lowly man as a male slave originally but he appears as a common(平民). He is a son whose father has no his land and make money by a daily labor as a gogong(雇工). But his parents abandoned him(遺棄兒), so he is a roamer and becomes steward for the house of Mr. Hwang(Jinsa: a successful candidate in the secondary grade civil service examination). He is disappointed in the failure with Ms. Hwang and he leaves the house to become a leader of bandits and is put to death.
Mr. Hong's Hwang Jin-ee was born in North Korea. The North Korea's historical school accept the popular resistance in the line of modern revolutionary tradition. A gang becomes a set of bandits, and the farmer's war which rose in Pyongan-do with leading of Hong Kyong-rae in 1811, resistances against Western invasions, Palchisan movement, and the North Korea's 'Juche (self-reliance) ideology(主體思想)' are followed. Nomi is a typical in the beginning of revolutionary tradition based on this 'Juche ideology'.
Mr. Hong's Hwang Jin-ee is on the literary tradition of Lee Tae-joon's Hwang Jin-ee. And this historic novel is based on 'the revolutionary tradition' not based on 'the national cultural heritage' which are North Korea's two main pivots.
So we can find some shortages. The first and the biggest is Mr. Hong's Hwang Jin-ee didn't see Chisorok by Heo Kyoon and didn't represent her outstanding character as an 'Eein'. The 'Eein' was the opposition of ‘Kunja(君子, a true gentle class)', but he or she is accepted as an important character because his or her accomplishment for subversion of a main community. Another shortage is Mr. Hong didn't represent her 'angelic beauty born in relation with water' which has been in Korean long history. This results from Mr. Hong's novel was for representing a woman who is anti feudalistic ideology through Ms. Hwang.
목차
1. 들어가는 말-문학적 진실과 역사적 진실의 합일 문제
2. 황진이 관련 원 사료의 다양한 관점들
3. 홍석중 《황진이》에 나타나는 특징-주체사관의 영향
4. 사료에는 보여지지만, 황진이 관련 소설에서는 재해석되지 않은 부분들
참고문헌
영문초록
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