지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In the traditional society women needed only their ‘dispelling’ which could forget their daily anxieties and worries and then they often enjoyed playing on the swings for their own liberation. But did the women play on the swings by ‘riding on it’ or ‘propelling it’? The reason that such a question like this is needed is that there are different enjoyments of playing between ‘riding’ and ‘propelling’ the swings. Another reason is that we need to properly look into the aspects of using the playing tools. ‘Propelling’ is often showed in the plays for women and it is the word of the method of playing. It is also the playing itself. But swings are not ‘jumping’ like boards or jump-ropes. Swings or seesaws are a kind of ‘riding’ because we take our bodies on them and we move them back and forth, up and down, or in circles. We intend to look into the enjoyment and the cultural inside which the subjects of playing feel, and the sexual symbolism which the folk phenomena of playing on the swings stand for. Playing on the swings is considered to be a similar sexual act in that it makes them forget the present situations, feeling nervosity and excitement, that is, they seek the situation of an ecstatic state, mentally disordering. We, at first, examine the meaning and function related with swings, and then, the sexual symbolism of the field and playing on the swings in order to make sure of these matters. As a result, this paper reads the sexual customs based on the analyses of documents and historic records. In the era of Cho-sun playing on the swings meant a kind of sorcery, which they played in accordance with the time of Dan-o(May 5th the lunar calendar) when the crops are most prosperous. They hoped the rich harvest by promoting the germination and the production.
If we watch the movements of playing on the swings, we can see it is similar to the sexual activities in that it gets higher as they propels it each time, and finally it arises the peak, and then it grows gradually lower in moving, and then stops. Playing on the swings also has a function of women liberation through escaping their routine bonds. It makes women feel the amusement of sex by themselves not by the immediate relations of men and women. If men participate in the field of swings, the covert conversation which men and women have, the eye contacts which they give and take, and the warmth which they rub each other are changed. At last, the exact sexual relations are realized in the field of playing on the swings. In Dan-o women who are the subjects of productions and symbols of Yin take part in a kind of shamanistic act accepting Yang by using swings because Dan-o is the day when Yang rises high up. Women guarantee the succession of production greeting the day of liberation by expressing their oppressed sex. ‘The field’ of playing on the swings is the place where love budded, and the playground where the mood of sex is highly elated. The queer heart pounding and pleasant feeling in playing on the swings are the things which taste as much the sense of liberation as the efforts of freedom. Women have achieved the shout of sexual liberation, the radiation of the instinct of sex, and the social demonstration together.
If we watch the movements of playing on the swings, we can see it is similar to the sexual activities in that it gets higher as they propels it each time, and finally it arises the peak, and then it grows gradually lower in moving, and then stops. Playing on the swings also has a function of women liberation through escaping their routine bonds. It makes women feel the amusement of sex by themselves not by the immediate relations of men and women. If men participate in the field of swings, the covert conversation which men and women have, the eye contacts which they give and take, and the warmth which they rub each other are changed. At last, the exact sexual relations are realized in the field of playing on the swings. In Dan-o women who are the subjects of productions and symbols of Yin take part in a kind of shamanistic act accepting Yang by using swings because Dan-o is the day when Yang rises high up. Women guarantee the succession of production greeting the day of liberation by expressing their oppressed sex. ‘The field’ of playing on the swings is the place where love budded, and the playground where the mood of sex is highly elated. The queer heart pounding and pleasant feeling in playing on the swings are the things which taste as much the sense of liberation as the efforts of freedom. Women have achieved the shout of sexual liberation, the radiation of the instinct of sex, and the social demonstration together.
목차
1. 그네 ‘뛰기’인가, 그네 ‘타기’인가
2. ‘그네타기’의 성관련 의미와 기능 검토
3. 그네 타는 ‘현장’과 그네타기 ‘운동’의 성 상징성
참고문헌
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
아이들 놀이로 살펴본 남녀 성역할의 분별과 까닭
실천민속학연구
2005 .06
-
고려시대 鞦韆 양상 : 高麗史·高麗史節要 중심으로
한국민속학
2018 .11
-
인도 및 네팔과 한국 어린이 놀이문화의 비교연구
비교민속학
2007 .08
-
기능성 이너웨어 착용 시 스포츠 테이핑 부착에 따른 골프 스윙에 미치는 효과
복식문화연구
2017 .01
-
한시에 수용된 ‘그네’의 미의식 고찰 : 고려 후기에서 조선 후기까지의 한시를 중심으로
우리말글
2012 .08
-
물결표(~)의 기능 확정에 대하여
어문연구
2005 .01
-
中韩问题剧≪李永女≫与≪潘金莲≫中女性自主意识的比较
중국어문학
2019 .01
-
분노와 제의의 비극 : 본드의 Grandma Faust, The Swing, 그리고 Stone을 중심으로
현대영미드라마
2001 .04
-
남성의 틈새에서 새어나온 여성의 목소리
韓國古典硏究
2010 .01
-
중국 현대극의 서구 연극 사조 수용양상－ 曹？의 작품을 중심으로
중국어문학
2004 .01
-
Playing on the Green
인간연구
2016 .07
-
Sexual Violence and Sexual Harassment in a Risk Society
Korea Journal
1998 .03
-
놀이에 대한 위니캇의 심리학적 이해와 몰트만의 신학적 이해의 상관성 연구
신학논단
2020 .09
-
한국연극계의 영미희곡 수용에 관한 연구 : 80-97년 서울 공연을 중심으로
현대영미드라마
1999 .04
-
『십이야』: 축제, 성, 계급
Shakespeare Review
2000 .09
-
Something Cloudy, Something Clear, 실험적 회상극
현대영미드라마
2012 .04
-
성폭력의 실태와 대책을 위한 연구
대학과 복음
2004 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-380-017632457