지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Im, Wha and Lee, Yongak may be refereed to as the poets who show self-renovation with their everything in the period of change in the history of literature. Im Wha withdrew from the epic style and indulged in subjectivity of romanticism, but Yongak expanded the personal emotion of the poetic subject into the universal emotion of the nation through his epics. In other words, the lives of migrants, which represent the victims of colonialization, is expanded into the common situation of the nation and the personal history of the subject into the history of the nation. We cannot help judging, however, that the poetic realism of Yongak is somewhat limited, because his poems did not suggest any hope to overcome the problems in the colonial lives, even though he was trying to show them.
In consequence, we can conclude that the poets of Im Wha and Lee Yongak in 1930 did not make a successful result when we interpret it by the accomplishment of realism through dialectic between the subject and the object. But we need to consider that the condition of the colony could not allow the poet's accomplishment in realism and the theory of realism was not mature enough to connect the peculiarity of poets with the universality of realism. We are able to admit that their poets are at the summit in late 1930s, because Im Wha tried to build up the self-renovation of the subject through its own subjectivity and Lee Yongak created the typical lives of the nation through epic.
This analysis suggests that the ultimate accomplishment of poets can be attained by the sound joint of a view of the world and a way of creation. Im Wha's poets are related to the accomplishment of realism with the world view and Lee Yongak's are with the way of creation. Hence it is in need that the debate on realism poets will be aimed to satisfy the realism as a world view and the realism as a way of creation at the same time.
In consequence, we can conclude that the poets of Im Wha and Lee Yongak in 1930 did not make a successful result when we interpret it by the accomplishment of realism through dialectic between the subject and the object. But we need to consider that the condition of the colony could not allow the poet's accomplishment in realism and the theory of realism was not mature enough to connect the peculiarity of poets with the universality of realism. We are able to admit that their poets are at the summit in late 1930s, because Im Wha tried to build up the self-renovation of the subject through its own subjectivity and Lee Yongak created the typical lives of the nation through epic.
This analysis suggests that the ultimate accomplishment of poets can be attained by the sound joint of a view of the world and a way of creation. Im Wha's poets are related to the accomplishment of realism with the world view and Lee Yongak's are with the way of creation. Hence it is in need that the debate on realism poets will be aimed to satisfy the realism as a world view and the realism as a way of creation at the same time.
목차
1. 서론
2. 서사성 개념에 대한 비판적 검토와 문제 제기
3. 임화의 경우 - 서사성의 약화와 낭만주의
4. 이용악의 경우 - 서사성의 도입과 현실주의
5. 결론
참고문헌
Abstract
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