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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In the first place, I paid attention to the character of the earthly God. Kaya(伽倻)'s first king - Suro(首露) insured right of direction through the rite that was digging mountain top's ground and picking up soils. I thought the meaning of digging and picking up was insuring the right of direction through observing cases of Japan ritual.
If there is sacredness of the Man God in kaya's myth, the divine power of Goddess is placed in the empress's work what is called Hye-Rak-Sa-Mo-Zi-sa(戱樂思慕之事) that was following in empress's footsteps. The empress's(許王后) work was related 'rite of fertility' and purposed for unity of nation. The function included both rite and play. They hardened power of unity throughout play, and that had the purpose of national dimension. Ultimately the empress's work intended power of direction and supreme power through rite and play. I brightened this meaning by evidence of Japanese ritual in Isezingu(伊勢神宮).
The reason of recording both mystery in sanctuary of Suro and empress's work, included intention to show both the king's divinity and empress's divinity in Ka-Rak-Kuk-Ki(駕洛國記). Even though the symbol and direction of feminine gender was weakened, what was the reason to show again the discourse of goddess's arrival? There was pray for fertility in Kaya during long times. We had need to attention to the play divided both side in this context. This signified rite of fertility in the play divided both side. It accompanied boat race, and the race was general in East Asia for a year abundance. The empress's work had tendency on 'rite of fertility', and Kaya nation believed to become to be abundant by celebrating this rite.
And the empress had character of 'weaving Goddess' because of her footsteps. The empress came with silk from the ocean paradise and consecrated silk trousers to Mountain God. In general Goddess(King's mother or King's wife) had a tendency of the weaving God. So I could find the tendency throughout evidence of Japanese ritual in Amaderas's(天照大神) myth. Eventually, the empress(許王后) had a character of 'earth God', 'fertility God', 'weaving God'.
If there is sacredness of the Man God in kaya's myth, the divine power of Goddess is placed in the empress's work what is called Hye-Rak-Sa-Mo-Zi-sa(戱樂思慕之事) that was following in empress's footsteps. The empress's(許王后) work was related 'rite of fertility' and purposed for unity of nation. The function included both rite and play. They hardened power of unity throughout play, and that had the purpose of national dimension. Ultimately the empress's work intended power of direction and supreme power through rite and play. I brightened this meaning by evidence of Japanese ritual in Isezingu(伊勢神宮).
The reason of recording both mystery in sanctuary of Suro and empress's work, included intention to show both the king's divinity and empress's divinity in Ka-Rak-Kuk-Ki(駕洛國記). Even though the symbol and direction of feminine gender was weakened, what was the reason to show again the discourse of goddess's arrival? There was pray for fertility in Kaya during long times. We had need to attention to the play divided both side in this context. This signified rite of fertility in the play divided both side. It accompanied boat race, and the race was general in East Asia for a year abundance. The empress's work had tendency on 'rite of fertility', and Kaya nation believed to become to be abundant by celebrating this rite.
And the empress had character of 'weaving Goddess' because of her footsteps. The empress came with silk from the ocean paradise and consecrated silk trousers to Mountain God. In general Goddess(King's mother or King's wife) had a tendency of the weaving God. So I could find the tendency throughout evidence of Japanese ritual in Amaderas's(天照大神) myth. Eventually, the empress(許王后) had a character of 'earth God', 'fertility God', 'weaving God'.
목차
Ⅰ. 許 王后의 土地神的 性格
Ⅱ. 戱樂思慕之事의 제의성과 놀이성
Ⅲ. 戱樂思慕之事의 豊饒祭儀的 性格
Ⅳ. 許 王后의 渡來와 織造
Ⅴ. 結論
【參考文獻】
〈Abstract〉
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UCI(KEPA) : I410-ECN-0101-2009-001-015581595