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초록· 키워드
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Kwaebul, large hanging Buddhist paintings for outdoor rites, have been considered to be significant in the history of Asian Buddhism, since they were particularly prevalent in the 17th-century Choson Dynasty in Korea. Of all the kwaebul of the period, there are sixteen depicting a crowned bodhisattva. It is worth noticing that the 1664 kwaebul from Sinwon-sa Temple in Kyeryong Mountain in Kongju is a very early example with a figure of Vairocana giving a sermon. Moreover, it is extraordinary that kwaebul representing the crowned bodhisattva were mostly distributed in the Ch’ungch’ong Province area. In addition, the brilliantly colored light waves emitting from the image seen in the Sinwon Temple kwaebul visually reflect the moment when the Buddha transformed into a figure of Vairocana. Attention should be paid to the fact that the Sinwon-sa Temple kwaebul, called Tae-yongsanhoesang-t’aeng, was hung at the time when a when a large outdoor rituals of Tae-yongsanhoe-jae was performed in accordance with the universality of the Lotus Sutra teaching as Choson Dynasty Buddhism was unified.
However, I also believe that the birth of the Sinwon-sa Temple kwaebul is profoundly related to the existing Avataimsaka(Hwaom) temples around the Kyeryong mountains in South Ch’ungch’ong Province. Many Avataimsaka temples were established by the monks of the Avataimsaka sect who had succeeded Chan Buddhism since the mid-Choson Dynasty, and they actively engaged in many relevant activities. As shown in the rite of the Tae-yongsan-jae, the figure of Buddha’s transformation into Vairocana indicates the phenomena that all powerful or authorized bodhisattvas in the universe are manifested. So, I assure that the Sinwon-sa kwaebul is meaningful in that a figure of Avataimsaka Buddha is represented in conformity with the universality of Lotus Buddhist teachings combined with Chan Buddhism in the Choson Dynasty.
However, I also believe that the birth of the Sinwon-sa Temple kwaebul is profoundly related to the existing Avataimsaka(Hwaom) temples around the Kyeryong mountains in South Ch’ungch’ong Province. Many Avataimsaka temples were established by the monks of the Avataimsaka sect who had succeeded Chan Buddhism since the mid-Choson Dynasty, and they actively engaged in many relevant activities. As shown in the rite of the Tae-yongsan-jae, the figure of Buddha’s transformation into Vairocana indicates the phenomena that all powerful or authorized bodhisattvas in the universe are manifested. So, I assure that the Sinwon-sa kwaebul is meaningful in that a figure of Avataimsaka Buddha is represented in conformity with the universality of Lotus Buddhist teachings combined with Chan Buddhism in the Choson Dynasty.
목차
Ⅰ. 新元寺, 寺名의 변화와 그 규모
Ⅱ. 도상적 특징과 光明遍照의 탁월한 神變연출
Ⅲ. 畵風과 畵記
Ⅳ. 新元寺괘불탱 조성의 의의
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