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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제9권 2호
발행연도
2005.8
수록면
173 - 195 (23page)

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Joseph Conrad's Heart of Darkness is a well-known novel for its mysterious images and for making readers confused by those images. To figure out the uncanny images, Lacan's psychoanalysis is employed in this essay. If we see an author as a neurotic patient and approach a literary work as in a way of approaching the patient, those mysteries can be demystified. As the patient is reluctant to articulate his or her problems because of social taboos, so is an author. In this story Marlow does not really know why he takes a trip to the wilderness; this can be interpreted as author's desire to go back to the imaginary order. The wilderness is full of mysteries because it is in the preverbal stage which has existed before the symbolic order emerges. Before his journey, he meets an old doctor, symbolizing the name-of-the-father, who discourages him from going to the wilderness. Kurtz is like a child at the mirror stage and eager to possess mother's love by collecting ivory, which symbolizes the phallus. He is just called "that man" to refuse his name given by his father and Marlow describes him as a crawling child. Kurtz is Conrad's speaking subject and is in the stage of the imaginary order, taking ivory as object a. Conrad's Other identifies with the ivory in the imaginary order to satisfy mother's desire. Considering Conrad's mental illness in his real life, Lacanian approach to this novel can be very convincing and helpful in understanding it fully.

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