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This article aims at studying Eliot's visionary poem, The Waste Land in comparison with Conrad's novel, “Heart of Darkness”. Even though the former treats with the sexual degradation of the 20th century-modern world while the latter with the materialistic exploitation of the European countries in the 19th century, both works share several distinctive features. First, both works develop the exploration journey through various voices of characters of different points of views. With listening to the speakers, the readers are approaching the hidden symbolic meaning of the journeys of two works. In The Waste Land the final goal of the pursuit is the Holy Grail which would restore the waste land from its sterility and in “Heart of Darkness” the main narrator, Marlow is pursuing after the mysterious character, Kurtz, who represents the merciless conquerors of the European nationalism.
Secondly, Marlow and Eliot comprehend the African world exploited by the avaricious European people and a modern city of London sterilized by the sexual desires as a dark vision of hell and the inhabitants as lost souls in a life-in-death state. Thirdly, both writers describe the visionary worlds with symbolic ‘dark’ and ‘light’ motifs and use the rivers of the Thames and the Congo as the doors of bringing the beguiling lights of civilization as well as the scenes of adulterous happenings.
From the comparison of both works we find that excepting allusions and indirect adaptation of some phrases and images, Eliot's The Waste Land has been indebted to Conrad's “Heart of Darkness”. especially in two ways. One is that Eliot's vision of the waste land comes from the final horrific vision of Krutz at his deathbed and that Eliot introduces Conrad's narrative technique of “Heart of Darkness of Darkness" into The Waste Land with developing his theme using voices with different points of view.
Secondly, Marlow and Eliot comprehend the African world exploited by the avaricious European people and a modern city of London sterilized by the sexual desires as a dark vision of hell and the inhabitants as lost souls in a life-in-death state. Thirdly, both writers describe the visionary worlds with symbolic ‘dark’ and ‘light’ motifs and use the rivers of the Thames and the Congo as the doors of bringing the beguiling lights of civilization as well as the scenes of adulterous happenings.
From the comparison of both works we find that excepting allusions and indirect adaptation of some phrases and images, Eliot's The Waste Land has been indebted to Conrad's “Heart of Darkness”. especially in two ways. One is that Eliot's vision of the waste land comes from the final horrific vision of Krutz at his deathbed and that Eliot introduces Conrad's narrative technique of “Heart of Darkness of Darkness" into The Waste Land with developing his theme using voices with different points of view.
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참고문헌 (13)
참고문헌 신청
[학술지(정기간행물)] - Cain, William / 2001 / Joseph Conrad and The Art of Sacrifice The Evolution of the Scapegoat Theme in Joseph Conrad's Fiction
[학술지(정기간행물)] - Conrad / 1962 / Heart of Darkness The Norton Anthology of English Literature
[학술지(정기간행물)] - London / 1967 / The Use of Poetry and the Use of Criticism
[학술지(정기간행물)] - Feder / 1955 / Marlow's Descent into Hell : 280 ~ 92
[학술지(정기간행물)] - Gardner / 1969 / The Art of T
[학술지(정기간행물)] - Conrad / 1962 / Heart of Darkness The Norton Anthology of English Literature
[학술지(정기간행물)] - London / 1967 / The Use of Poetry and the Use of Criticism
[학술지(정기간행물)] - Feder / 1955 / Marlow's Descent into Hell : 280 ~ 92
[학술지(정기간행물)] - Gardner / 1969 / The Art of T
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