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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Kim, Kyo-je Novel Research on this study starts from the questioning of the established Enlightened Age novel research system of mainly on Yi, In-jik, Yi, Hae-jo, and Choi, Chan-sik. Since 1910, New Novels were unfairly estimated or out from research because they are blamed for looking for only fun of the public so they lost the Enlightenment and Orthodox, and also blamed for bringing the popularization of the New Novel. Kim, Kyo-je novel is, like the other New Novel since 1910, not only for fun but also for showing the realization of the differentiation of readers. It considered both the readers who liked the Old Novel's narration and the readers who like the New Novel. It produced novels regarding reader's demand but it was not for fun. It had its own intention of Public Enlightenment. Kin, Kyo-je novel is educative and modern because of the purpose of Public Enlightenment through the Character's modernization. The main reason which goes against Kim, Kyo-je novel is family novel frame. His novel is different because the past family novels dealt with going back to home which is ruled by Confucian society order. His novel describes the Enlightened Age home which loses the order of Confucian society. He deals with home where woman rejects the established one and takes home as a place for self reliance and realization of her ideal.
In spite of those strategies, Kin, kyo-je failed in appealing for the public. The other New Novel pursued interest or fun under the tension of discourse of enlightenment. The internal reasons of his failure are the lack of reality, completion, high-quality humor. The external reasons are the modem literature's characteristic which emphasizes self and the coming of new readers.
In spite of those strategies, Kin, kyo-je failed in appealing for the public. The other New Novel pursued interest or fun under the tension of discourse of enlightenment. The internal reasons of his failure are the lack of reality, completion, high-quality humor. The external reasons are the modem literature's characteristic which emphasizes self and the coming of new readers.
목차
1. 서론
2. 신문광고에 나타나는‘재미’에 대한 인식과‘계몽성’의 쇠퇴
3. 김교제 소설에 나타나는 계몽성과 대중성의 교차
4. 현실성의 상실과 근대적 문학의 등장
5. 결론
참고문헌
저자소개
Abstract
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UCI(KEPA) : I410-ECN-0101-2009-810-014301109