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논문 기본 정보
- 자료유형
- 학위논문
- 저자정보
- 지도교수
- 전호태
- 발행연도
- 2013
- 저작권
- 울산대학교 논문은 저작권에 의해 보호받습니다.
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Abstract
This study considers contemporary Deconstructive theory and traditional Taoist thought with special reference to the comparative similarities discovered between the two philosophies. Through this investigation an appropriate site can be chosen in accordance with the theoretical paradigm.
Following the theoretic enquiry it will be made clear that feeling, instead of thinking is and important method of creating a form, and that when one''s actions are governed by intuition the ego tends to disappear and a clear, pure image of form can be created. In this particular context. Through the studying of Taoism it become apparent that knowledge as well as creative forgetfulness are necessary for the construction of a creation. An architect who attempts to design a building that is unique and honest must know not only to use what he has learnt in the past but be willing to journey without fear in the formless, winding, dark and unsure space of creative forgetfulness-the imagination. Deconstruction, on the other hand, teaches one to elevate one''s mind above from. Essentially, what the building looks like formally does not matter. What does, however matter, is the thought process involved behind the creation of that structure. The process becomes more important than the end result. An emphasis also falls on the dismantling of pre-formed ideas or notions. The pleasure of the architect lies within dismantling their particular works in order to attain the attention from the public and create an intent awareness and newfound understanding of form.
The proposed design of a South African Air Force Memorial Museum will potentinally spread of hope throughout the Korean continent. Hope not only for the reunification of the Koreas in the future, but also for the establishment of a prospective bond between South Korea and South Africa. Remembrance is another key feature within the architectural space that encourages generations of Koreans, as well as foreigners to remember the Korean War and sacrifices made by a multitude of individuals from not only Korea, but other Common Wealth nations who fought during the war. The city of Pyeongtaek will potentially be able to attract the space will expectantly become an urban sanctuary in which the city dweller can remove themselves from the stresses of the day''s work and be dawn into silence and inner-thought. It will become a place for rest and reflection, and a brief escape from society''s afflictions.
The structure is original in that it is a South African inspired building contained by South Korea. A building in which East meets West with the aid of the Eastern philosophy of Taoism in combination with the Western theory of Deconstruction. The similarities between the two theories proved to be endless and thus made the creation of a South African inspired building on a South Koreas context an entirely feasible and relevant feature in which to endeavor.
This study considers contemporary Deconstructive theory and traditional Taoist thought with special reference to the comparative similarities discovered between the two philosophies. Through this investigation an appropriate site can be chosen in accordance with the theoretical paradigm.
Following the theoretic enquiry it will be made clear that feeling, instead of thinking is and important method of creating a form, and that when one''s actions are governed by intuition the ego tends to disappear and a clear, pure image of form can be created. In this particular context. Through the studying of Taoism it become apparent that knowledge as well as creative forgetfulness are necessary for the construction of a creation. An architect who attempts to design a building that is unique and honest must know not only to use what he has learnt in the past but be willing to journey without fear in the formless, winding, dark and unsure space of creative forgetfulness-the imagination. Deconstruction, on the other hand, teaches one to elevate one''s mind above from. Essentially, what the building looks like formally does not matter. What does, however matter, is the thought process involved behind the creation of that structure. The process becomes more important than the end result. An emphasis also falls on the dismantling of pre-formed ideas or notions. The pleasure of the architect lies within dismantling their particular works in order to attain the attention from the public and create an intent awareness and newfound understanding of form.
The proposed design of a South African Air Force Memorial Museum will potentinally spread of hope throughout the Korean continent. Hope not only for the reunification of the Koreas in the future, but also for the establishment of a prospective bond between South Korea and South Africa. Remembrance is another key feature within the architectural space that encourages generations of Koreans, as well as foreigners to remember the Korean War and sacrifices made by a multitude of individuals from not only Korea, but other Common Wealth nations who fought during the war. The city of Pyeongtaek will potentially be able to attract the space will expectantly become an urban sanctuary in which the city dweller can remove themselves from the stresses of the day''s work and be dawn into silence and inner-thought. It will become a place for rest and reflection, and a brief escape from society''s afflictions.
The structure is original in that it is a South African inspired building contained by South Korea. A building in which East meets West with the aid of the Eastern philosophy of Taoism in combination with the Western theory of Deconstruction. The similarities between the two theories proved to be endless and thus made the creation of a South African inspired building on a South Koreas context an entirely feasible and relevant feature in which to endeavor.
목차
1.Introduction 171-1 Abstract 171-2 Background and Purpose of Study 171-3 Range and Method of S셔요 182. Taoism and Deconstruction 192-1 Introduction to Taoism 192-2 Characteristics of Taoism in Keywords 211.The Doctrine of Inaction 212.Opposites 223.The Uncarved Block 234.The Attack on Tradition 245.The Unconscious 256.Opposition of Hierarchy in Society 257.The Water Analogy 258.Altruism in Man 252-3 Introduction to Deconstruction 232-3-1 Philosophical Introduction to Deconstruction 262-3-2 Main Characteristics of Deconstruction 271.De-structuring: A world without Structure 272.Man''s bias for order 283.The Refusal to question structure 284.The Grotesque and Sublime 315.Overcoming Knowledge 326.Disposal of Previous Styles 337.Metaphysics in Architecture 338.Deconstruction oppose set Hierarchical Programs 349.Betweenness 352-4 Comparative Similarities on Keywords 371.The Uncarved Block versus A World Without Structure 372.Opposites versus Polarities 373.The Attack on Tradition versus The Disposal of Previous Styles 384.The Opposing of Hierarchy in Society versus The Opposition of set Hierarchical Programs 395.The Unconscious Mind versus Metaphysics in Architecture 406.Being and Non-Being versus Figure and Ground 403.Application of Taoism and Deconstruction to Art and Form 443-1 Introduction of Taoism in Art and Architecture 443-2 Application of philosophy to art 441.Mansion of Orchards 452.Misty Landscape 463.Six Persimmons 474.Flowers in Vase 485.Cow and Willows 483-3 Application of the Tao to space in ancient Korea 501.Emptying and Filling 522.Undefined Territory 543.Unity of Subject and Object 573-4 Application of the Tao to contemporary architecture 571.Color and Light 572.Use of Rustic Materials 593.The Void 594.Objects are Interrelated 595.Original Expression 606.Architecture Without Boundaries 627.Harmony and Balance 623-5 Application of Deconstruction to space 634.Deconstruction Case Studies 664-1 The Architectural Uncanny Case Studies 664-1-1 Bernard Tschumi 661.The Pleasure of Superposition 662.Releasing the Repressed 674-1-2 Peter Eisenman 671.Methods of evoking the Uncanny 682.Church of the Year 2000 693.The Church as Icon 694.Chrystal as In-between State 704-2 Traditional Neo-Classical Museum Case Study 714-3 Contemporary Museum Case Study 744-4 Theoretical case Studies 751.Park de la Valette. Bernard Tschumi 762.Church of the Year 2000. Peter Eisenman 783.The Peak. Zaha Hadid 774.Mobius House. UN Studio 805.The Site 815-1 Site Analysis 825-1-1 Microscale and Marcoscale 825-1-2 Movement 835-1-3 Site Elements 835-1-4 Site Data 845-1-5 Sun Study 855-1-6 Existing Buildings on Site 865-1-7 Existing Buildings on and around Site 875-2 The South African Air Force Memorial Museum 885-2-1 Background of the Project 885-2-2 Site Location 895-2-3 Deconstruction Principles of the SAAF Memorial Museum in table form 925-3 Application of Deconstruction on the SAAF Memorial Museum 945-3-1 Concept and Formal Characteristics 941.Remembrance 942.Cultural Exchange 953.Hope for the Future 955-3-2 Designation of Programs 975-3-3 Spatial Layout 985-3-4 Formal Characteristics and Concept 1005-3-5 Attack on the Traditional Context 1035-3-6 The Pleasure of Dismantling Structure 1025-3-7 Metaphysics as Unconscious 1035-3-8 Sublime in Space 1045-3-9 Evoking the Uncanny 1045-3-10 Incomplete Structure 1055-3-11 The Uncanny 1065-3-12 Figure and Ground 1075-4 The Program 1075-5 Application of Taoism on the SAAF Memorial Museum 1115-4-1 Color and Light 1115-4-2 Retrospective Memory by Use of Rustic Materials 1145-4-3 The Void 1155-4-4 Original Expression 1165-4-5 Harmony and Balance 1175-4-6 Interpenetration of Opposites 1175-6 Technical Report 1185-6-1 Circulation 1185-6-2 Entrances 1185-6-3 The Use of Digital Media 1195-6-4 The Use of NURBS 1195-6-5 The Panelization of Curved Surfaces within the SAAF Complex 1215-6-6 Parametric Design 1226.Conclusion 132References 134
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