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Study on the Topic of AI Work' Artistic Value Through Adorno's of Aesthetic Virtual Relief
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아도르노의 미적 가상의 구제를 통해 본 인공지능 작품의 예술성 논제 연구

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Type
Academic journal
Author
Jung Seon Ah (중앙대학교) Hyeongjoo Kim (중앙대학교)
Journal
중앙대학교 인문콘텐츠연구소 인공지능인문학연구 인공지능인문학연구 제17권 KCI Candidated Journals
Published
2024.8
Pages
139 - 158 (19page)

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Study on the Topic of AI Work' Artistic Value Through Adorno's of Aesthetic Virtual Relief
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Technology in the age of artificial intelligence is becoming art itself. Taking Adorno's perspective, artificial intelligence images created through digital technology and algorithms can be read as traces of commercialized goods that have lost their spiritual aura in a 'managed society' at first glance. As is well known, in "Theory of Aesthetics", he emphasizes that art should not lose its original essence through the artistic technology it uses in a highly industrialized and commercialized life, emphasizing the marginalized situation in which modern industrialization technology made for humans is causing us a tragedy. In addition, "aesthetic virtual" plays a central role in his aesthetics, and only through this, the subject of aesthetic experience leads to aesthetic truth. Against this background, we would like to examine Adorno's aesthetic and virtual concepts and discuss the fact that the creation-type artificial intelligence work, which can be regarded as only a commodity at first glance, can actually be regarded as a work of art that guarantees aesthetic truth. Specifically, if we take Adorno's aesthetic view that the origin of truth lies between the work and the viewer, and the power of truth creation starts from the aesthetic experience through the interaction between the two, I would like to discuss the fact that not all artworks created by generative artificial intelligence can be regarded as materialized things.

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