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논문 기본 정보

자료유형
학술저널
저자정보
차민주 (안동대학교 미술학과)
저널정보
한국기초조형학회 기초조형학연구 기초조형학연구 제24권 제4호
발행연도
2023.8
수록면
487 - 498 (12page)

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초록· 키워드

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The present study is based on the artworks presented in “Colorful Landscape Painting” and “Blue Layers” from 2020 to 2022. These artworks primarily employ the characteristic expression of Korean painting, known as layering, to depict the subject of nature, which constantly changes and leaves impressions. The aim is to reveal this ever-changing nature through the repetitive act of layering, which serves as both a medium connecting diverse colors and spaces, and a sculptural element embodying the artist’s imaginative expressions. Thus, this study examines the researcher''s artworks through the process of cultivation and repetition, where the materials, the artist''s consciousness, and the expressed artworks of Korean painting synergize to experience flow and explore the artistic value in contemporary art. The practical act of creating artwork through this demanding and time-consuming performative process requires great dedication and concentration. This process involves the preparation of a base, the careful application of layers of paint, and the repetition of drying. The order, rules, dedication, and concentration involved in each step are symbolically represented by the color blue. The imagery created by these symbolic colors consists of numerous colors presented through the use of multiple colors. The materials and techniques used in portraying the art of landscape painting also serve as a process of nurturing the researcher’s mindset. During this process, one becomes absorbed in refining and experiences inspiration and satisfaction. The researcher focuses on the internal contemplation of nature, the expression of colors, and the performative aspect of shaping them into tangible forms. Rather than emphasizing the completion of the artwork, the researcher values the process of cultivation required to express it. Therefore, the attitude of looking at nature and the image of color suggest a direction to harmoniously change and develop Korean painting in contemporary art, and it is expected that qualitative growth can be promoted through the process of cultivation.

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