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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 신영어영문학회 신영어영문학 신영어영문학 제87집
- 발행연도
- 2024.2
- 수록면
- 401 - 418 (18page)
- DOI
- 10.21087/nsell.2024.02.87.401
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초록· 키워드
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This paper analyzes the characteristics and implications of the theatrical and cinematic spaces constructed by Harold Pinter. Additionally, it examines the dynamics of characters struggling for dominance and control within these spaces. Furthermore, this study explores the potential for new subjectivities emerging from the games portrayed by Pinter in his works. It also analyzes Pinter"s intention to guide the audience towards the pursuit of deterritorialization. The spaces crafted by Pinter in dramatic works and screenplays embody the determination of the characters" identities and subjectivities and hold the potential for existential subjectification. Through the series of struggles and games among the characters within Pinter"s spaces, audiences visualize possibilities for reterritorialization. Pinter did not intend to establish clear boundaries between internal and external spaces. Instead, he aims to reveal the ruptures and gaps between these spaces, offering latent possibilities and motivations for new becoming.
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