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자료유형
학술저널
저자정보
천궈웨이 (타이완 국립중흥대학(國立中興大學)) 박은혜 (한국외국어대학교)
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한국외국어대학교 대만연구센터 대만연구 대만연구 제22호
발행연도
2023.6
수록면
215 - 267 (53page)

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In Taiwan, mystery novels developed from the beginning by for ming a literary field centered on the Japanese and Western knowledge systems. Japanese writers living in Taiwan embraced the Western knowledge system refracted through Japan, and writers of Taiwan embraced the Western writing and knowledge system directly. After the end of the war, mystery novels, which had briefly slowed down due to national literary policies, will be revived in the 1980s with the establishment of the Fo-er Lin Mystery Award and the launching of the magazine Mystery. During this period, the narrative flow led by Japanese knowledge capital served as an important operating norm in Taiwan"s mystery literary field. With the onset of the 1990s, Taiwan’s mystery literary field began to experience wild swings. Though they had been the dominant force in the 1980s, Fo-er Lin and Lin Po Publishing Corporation could not escape the fate of being replaced by Hung-Tze Jan and his mystery novel series ‘House of Murder Specialties’, The narrative paradigm of mystery novels had shifted from Japan to the West. With the organization of the Third Million Dollar China Times Award for Novels, the field of mystery novels had not only gradually coincided with the mainstream literary world, but had also led to conflicts over the definition of the mystery genre between the mainstream media and on-line readers. This the facilitated the organization of the Ren-Lang-Chen Mystery Award/Mystery Writers of Taiwan Award that arose from the Internet in 2002, launching a new wave of power struggles over new rules for the mystery novel genre, as well as spawning local adaptions of the narrative paradigm of Japan’s Shin-honkaku mystery novels. The main purpose of this paper, therefore, is to explore the development of Taiwan"s mystery genre, and how the new knowledge power relations had been generated under the new rules set for the field, shaping out Taiwan’s mystery genre that on can see observe today.

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ABSTRACT
Ⅰ. 제국의 주시: 타이완 추리문학장의 형성
Ⅱ. 계엄 이전의 여명: 1980년대, 다시 태어난 타이완 추리문학
Ⅲ. 세기말의 화려: 1990년대 추리문학장의 이동과 치환
Ⅳ. 전범(典範)의 부활: 시보문학(時報文學) 백만소설상(百萬小說獎)을 둘러싼 장 내 다툼
Ⅴ. 디지털 시대의 서광 : 온라인 커뮤니티와 추리문학장의 독립
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