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Language·Sense·Affect of Post-human Subject :Itoh Project, Genocidal Organ
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포스트 휴먼적 주체의 언어·감각·정동 :이토 게이카쿠 학살기관

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Type
Academic journal
Author
LEE SANG HYUK (고려대학교)
Journal
Global Institute for Japanese Studies 일본연구 일본연구 제37호 KCI Accredited Journals
Published
2022.2
Pages
165 - 197 (33page)

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Language·Sense·Affect of Post-human Subject :Itoh Project, Genocidal Organ
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This paper examines the process of establishing a dramatic subject and the various elements that operate in intermediate spaces in the ?Institution of a Massacre? of Itoh Keikaku (Project Itoh). The structural features of the ‘father’s absence’ and the ‘mother’s murder’ are seen in the process of the protagonist Shepard evolving from being a non-subject who avoids choices and responsibilities to being a subject who does make choices and takes responsibility for himself, which is the opposite of the existing method. Through this narrative structure, the main character Shepard seems to adopt a subject position between the Oedipal subject and the abject subject. In addition, in this process, the senses recognize the things that were previously excluded, deconstruct the existing subject and system, and open up the possibility of a new, abject subject. However, at the same time, there is a risk that the existing subject, the post-human subject of the deconstruction of the system and the boundary line, will move in the direction of maintaining and strengthening the existing system due to the loss of a human reference point. This possibility resonates today, because at this point the subjects of the 2000s can be said to be positioned between the possibility of becoming new subjects and the passivity of the corpse.

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