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자료유형
학술저널
저자정보
저널정보
한국일러스아트학회 조형미디어학 조형미디어학 제19권 제1호
발행연도
2016.2
수록면
325 - 332 (7page)

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This study was conducted mainly based on the records of Korea’s traditional colors which could be found in old literatures. Specifically, this study was intended to define the identity and correlation between Korea’s traditional five colors known as ‘Obangjeongsaek’ and basic consonants of Hangeul by investigating the principles of Yin-Yang & Five Elements(of the Universe) and invention of Hangeul with a focus on Isusin Edition on the basis of Hunminjeongeum Haerye Edition and Silhak(Realist School of Confucianism) of the mid and latter part of Joseon Dynasty among classical literatures. Basic 5 consonants of Hangeul, i.e., "ㄱ", "ㄴ", "ㅁ", "ㅅ", and "ㅇ", were invented based on the principles behind Yin-Yang & Five Elements and vocal organs. Molar sound(velar sound) "ㄱ" was placed on the left side of the Five Elements to imply trees and spring while lingual sound "ㄴ" was placed on upper side to signify fire and spring. Moreover, labial sound "ㅁ" was placed at the center to denote soil and late summer and dental sound ‘ㅅ’ was placed on the right side to signify iron and autumn. Meanwhile, guttural sound "ㅇ" was placed on the lower side to denote water and winter. However, we established relationship between consonants of Hangeul and Korea’s traditional Obangjeongsaek(five traditional colors) based on interconnectivity between "Obangjeongsaek" recorded in Isusin Edition and "Yin-Yang & Five Elements" incorporated into Hunminjeongeum due to absence of relationship with Obangjeongsaek. The results of this study may provide useful basis for development of Oriental ideology and Hangeul design.

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