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논문 기본 정보

자료유형
학술저널
저자정보
이광준 (경민대학교)
저널정보
한국셰익스피어학회 Shakespeare Review Shakespeare Review Vol.58 No.1
발행연도
2022.2
수록면
5 - 26 (22page)

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The residual culture from Renaissance in Europe would mark a hybrid of Italian Renaissance. The Protestant/Catholic division was settled, for a time by the Elizabethan Religious Settlement, and she proclaimed Anglican Church with a brief period of internal peace with her voice, focusing on Epiphany of Jesus Christ. Cultural Materialists believe that its perspective effectively explains both intercultural variation and similarities. Demographic and religious changes and cultural variation would generate a Hybrid-Italian Renaissance, in other words, the british style Renaissance as a cultural etic, which is from an Italian Renaissance as a cultural emic. William Shakespeare might write about allusion and allegory to have access to biblical universalism for woman’s voice in his comedy: in A Midsummer Night’s Dream. The female characters’ voices: Titania, Hermia in A Midsummer Night’s Dream. Heroines, who might communicate in a kind of equivocal voice or articulated speech for respecting each individual honour and privacy from Shakespeare’s comedy, would be the problem-solver for stabilizing the political situation being similar to those days of England. All in all, heroine characters against not Roman Catholic but also the absurd authority within patriarchical society were probably created by Shakespeare with the female imagination from the history in Elizabeth Tudor’s eloquence and declaration, which would be the evidence of cultural materialism.

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Ⅰ. 서론
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Ⅳ. 결론
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