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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.12
- 수록면
- 725 - 745 (21page)
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초록· 키워드
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A Midsummer Night’s Dream, which is generally believed to be written originally for an aristocratic wedding, must be one of Shakespeare’s most amusing and festive comedies. But, in fact, the background of Dream, which starts with Theseus’s confession that he conquered the Amazons and won their queen by his sword, is full of violence, brutality, climate crisis, natural disaster, and social problems of tyranny and an oppressed lower class.
Russell T Davies’s 2016 television film of Dream emphasizes vividly the dark aspect of the original play, with the tyrannical court of Athens as its setting. In this film, Theseus is a fascist dictator and his court is filled with pseudo-Nazi flags and soldiers. Hippolyta, a prisoner of war, wears a straitjacket and Hannibal Lecter facemask, which are not taken off even on their wedding day. Oberon and Titania’s fairies appear as fierce soldiers rather than romantic ones, and the mechanicals’s fear about hanging is true and serious. Although all the conflicts are solved by Oberon and Titania’s magic at the last moment, the whole film is surrounded by warlike environments.
This paper illuminates fully the dark aspects of Dream and to explain how effectively the darkness of the play works to reflect our contemporary world by analyzing Davies’Dream in detail.
Russell T Davies’s 2016 television film of Dream emphasizes vividly the dark aspect of the original play, with the tyrannical court of Athens as its setting. In this film, Theseus is a fascist dictator and his court is filled with pseudo-Nazi flags and soldiers. Hippolyta, a prisoner of war, wears a straitjacket and Hannibal Lecter facemask, which are not taken off even on their wedding day. Oberon and Titania’s fairies appear as fierce soldiers rather than romantic ones, and the mechanicals’s fear about hanging is true and serious. Although all the conflicts are solved by Oberon and Titania’s magic at the last moment, the whole film is surrounded by warlike environments.
This paper illuminates fully the dark aspects of Dream and to explain how effectively the darkness of the play works to reflect our contemporary world by analyzing Davies’Dream in detail.
목차
I. Prologue
II. War between Theseus and Hippolyta
III. War between Oberon and Titania
IV. War between Social Classes
V. War between Reality and Fantasy
VI. Epilogue
Works Cited
Abstract
참고문헌 (13)
참고문헌 신청
[인터넷자원] - Aitkenhead, Decca / / Russell T Davies: ‘It sounds like a sex version of Midsummer Night’s Dream. And it’s not’
[단행본] - Calderwood, James L. / 2010 / Bloom’s Modern Critical Interpretations: William Shakespeare’s A Midsummer Night’s Dream / Infobase Publishing : 57 ~ 84
[인터넷자원] - Creighton, Sam / / BBC accused of ‘brainwashing kids’ after Russell T Davies changes Shakespeare’s A Midsummer Night’s Dream to include gay trysts, a lesbian kiss and the death of a central character
[인터넷자원] - Dowling, Tim / / A Midsumer Night’s Dream review: Doctor Whoish but rather good
[단행본] - Evans, G. Blackmore / 1997 / The Riverside Shakespeare / Houghton Mifflin
[단행본] - Calderwood, James L. / 2010 / Bloom’s Modern Critical Interpretations: William Shakespeare’s A Midsummer Night’s Dream / Infobase Publishing : 57 ~ 84
[인터넷자원] - Creighton, Sam / / BBC accused of ‘brainwashing kids’ after Russell T Davies changes Shakespeare’s A Midsummer Night’s Dream to include gay trysts, a lesbian kiss and the death of a central character
[인터넷자원] - Dowling, Tim / / A Midsumer Night’s Dream review: Doctor Whoish but rather good
[단행본] - Evans, G. Blackmore / 1997 / The Riverside Shakespeare / Houghton Mifflin
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UCI(KEPA) : I410-ECN-0101-2019-840-000318011