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자료유형
학술저널
저자정보
정아영 (원광대학교) 김재수 (원광대학교)
저널정보
한국문화공간건축학회 한국문화공간건축학회논문집 한국문화공간건축학회논문집 제58호
발행연도
2017.1
수록면
11 - 18 (8page)

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이 논문의 연구 히스토리 (9)

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Korean traditional music is a unique music type that exists only in Korea in contrast to Western music. However, Pansori or Korean traditional music performances have been held in multi-purpose halls or concert halls, which are suitable for Western music. Thus, the need to have suitable concert halls for Korean traditional music has been raised. Accordingly, a number of National Centers for Korean Traditional Performing Arts have been established in provinces since 1990 at a government level. However, questions are being raised about whether these national Korean traditional music halls are suitable for Korean traditional music. In this regard, this study measured reverberation time through field tests at six Korean traditional music halls. The result was compared with the reference curve of optimum reverberation time proposed by Knudsen-Harris which analyzes the correlation between reverberation time and volume. Based on such comparison, this study determined the bass ratio (BR) characteristics to understand the reverberant characteristic in the Korean traditional music halls. The study results showed that the range of average reverberation time was 1.32-1.85sec at 125Hz, 1.11-1.46sec at 250Hz, 0.85-1.27sec at 500Hz, 0.74-1.12sec at 1kHz, 0.70-1.11sec at 2kHz, and 0.62-1.06sec at 4kHz, indicating a characteristic of shorter reverberation time at higher frequency. Furthermore, the reverberation times showed a reverberation characteristic “below that of a cinema and auditorium” at all frequency bands compared to the reference curve of optimum reverberation time proposed by Knudsen-Harris. However, explanatory power (R2) of the correlation between reverberation time and volume was 1.3–35.3%, which indicates that Korean traditional music halls maintained a constant range of reverberation time without making it longer despite an increase in volume in contrast with Western music halls. A BR was measured at 1.22–1.55, which satisfied the standard of Western music theaters. Thus, it was expected to give a highly warm and soft tone to the audience.

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