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학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
신동선 (단국대학교 공연영화학부)
저널정보
한국연극교육학회 연극교육연구 연극교육연구 제30권 제30호
발행연도
2017.1
수록면
131 - 159 (29page)

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초록· 키워드

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Currently in the theater play industry of Korea, there are two types of actors that can be categorized based on their vocalization methods used when performing acting roles for elderly characters, where one group of actors believes that actors should not change their voice when performing an acting roles for elderly characters so that they can act genuinely in their own voice, as opposed to the other group of actors that believes that actors must convey that they are an actual embodiments of the elderly character they are playing to the audience through detailed expression and acting. This research was conducted under the assumption that even when an actor changes their acting voice, if they go through adequate training and rehearsing they will be able to act and perform freely based on a natural impulse. The researcher of this research study started conducting personal rehearsals and background and reference research on the role of the elderly character, Seok-cheol Gi, even before official rehearsals for the play ≪Anaspora≫ began. In the early stages of rehearsal, the researcher of this research study focused on the general thought processes and physical state of an elderly character to attempt to achieve expressing a voice that is similar to that of an elderly character, and by starting with the most basic breathing techniques and methods for vocalization, the researcher of this research study practiced making a similar vocal tone to that of an elderly character and also rehearsed the appropriate articulation techniques. These attempts and rehearsal sessions made it possible to indirectly control the functions of the vocal chords that are known to be difficult to directly control during vocalization, and as a result it became possible to approach vocalizing the voice of an elderly character with more ease. Through repetitive practice, the researcher of this research study attempted to minimize the rituals of consciousness required to express the voice of an elderly character. While the process of forming a habit to rehearse and practice for an acting role can be perceived to be a impeding factor for attempting to achieve ‘lively and dynamic acting’, on the other had the forming of a habit that enables instinctive practicing even when a particular ritual of consciousness is not conducted serves as a reaction to stimulation and allows the actor to engage in immediate and dynamic acting performance. In essence, the researcher of this research study was able to minimize the rituals of consciousness that are required to control the voice made when acting for a character role through repeated practice, and the researcher was also able to express his lines in the voice of an elderly character while at the same time performing a lively and dynamic acting performance that was not affected or impeded from having to make the voice. Based on the results above, this research study will provide practical guidance to young actors that are experiencing difficulties associated with having to emulate and express the voice of an elderly character.
#vocalization methods for elderly character acting roles #performing an elderly character acting role #rehearsal for performing an elderly character acting role #the Korean theater play 'Anaspora' #the vocalization of an actor

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강영애 / 2009 / 파킨슨병 환자와 정상 노인의 음성비교 / 말소리와 음성과학 1(1):99~107 dbpia 강영애 / 2009 / 파킨슨병 환자와 정상 노인의 조음 특성 연구 - 조음 속도와 모음 음향 공간 - / 언어치료연구 18(3):115~135 dbpia 고도흥 / 2013 / 언어기관의 해부와 생리 / 학지사 google schola 권석만 / 2014 / 노년기 정신장애 / 학지사 google schola 김석진 / 2015 / 젊은성인과 노인의 동적 평형성 학습과 제어 : 비침습뇌자극에 따른 학습, 움직임 및 협응을 중심으로 google schola

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