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Nat Turner’s rebellion in 1831 was considered pre Civil War South’s most dreadful nightmare due to the merciless murder of white slave owner victims. The motive of vengeance has been emphasized as that of Turner’s notorious black preacher religious fanaticism. However, the recent film, The Birth of a Nation (2016) directed by Nate Parker, utilized the identical title of a film (1915) directed by D. W. Griffith. Providing limited evidence, information about the rebellion in Thomas Gray’s pamphlet The Confessions of Nat Turner (1831), was the only accessible historical source for the factual event of the slaves’ rebellion. In addition, William Styron’s The Confessions of Turner (1967), a fictionalized biography, also examined Turner’s life in the harshness of slavery. Although these two texts deal with the personal level of Nat Turner’s rage and religious enthusiasm, both provide only fractured parts of the motive of vengeance. Strikingly, Parker’s film interrogates the ideology of “victims,” as well as the hierarchical term of “confessions,” with their different positions between whites and blacks. More specifically, Parker’s film offers discursive fields of proslavery arguments regarding biblical interpretations in addition to external visualization of slaves’ inner emotional lives. The film demonstrates how the institution of slavery allowed slaves to be exploited, beaten, raped, through interrogating the problematic image of the “contested hero” Nat Turner. In contrast to the traditional image of blacks’ bloody rebellion, the film underlines the absurdity of certain Biblical misinterpretations. It furthermore implies how the 1915 film manipulated proslavery propaganda in America. Key Words: The Birth of a Nation (2016), The Confessions of Nat Turner (1967), Slavery, Contested Hero, Vengeance Notes on
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참고문헌 (9)
참고문헌 신청
Ali, Barish / 2011 / Liquored up ‘wid de sperrits’: Gothic Figures of Black Men in White Boys’ Adventure Stories / Journal of Popular Culture 44(6):1141~1170
Davis, Mary Kemp / 1995 / William Styron’s Nat Turner as an Archetypal Hero / Southern Literary Journal 28(1):67~94
Harrill, Albert J. / 2000 / The Use of the New Testament in the American Slave Controversy: A Case History in the Hermeneutical Tension between Biblical Criticism and Christian Moral Debate / Religion and American Culture: A Journal of Interpretation 10(2):149~186
Lee, Julia Sun-Joo / 2006 / Knucklebones and Knocking Bones: The Accidental Trickster in Ellison’s ‘Invisible Man.’ / African American Review 40(3):461~473
O’Conell, Shaun / 2016 / Unhealed Cultural Memories: Styron’s Nat Turner / New England Journal of Public Policy 28(2):1~8
Davis, Mary Kemp / 1995 / William Styron’s Nat Turner as an Archetypal Hero / Southern Literary Journal 28(1):67~94
Harrill, Albert J. / 2000 / The Use of the New Testament in the American Slave Controversy: A Case History in the Hermeneutical Tension between Biblical Criticism and Christian Moral Debate / Religion and American Culture: A Journal of Interpretation 10(2):149~186
Lee, Julia Sun-Joo / 2006 / Knucklebones and Knocking Bones: The Accidental Trickster in Ellison’s ‘Invisible Man.’ / African American Review 40(3):461~473
O’Conell, Shaun / 2016 / Unhealed Cultural Memories: Styron’s Nat Turner / New England Journal of Public Policy 28(2):1~8
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