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자료유형
학술저널
저자정보
김미아 (전주대학교)
저널정보
아태인문사회융합기술교류학회 아시아태평양융합연구교류논문지 아시아태평양융합연구교류논문지 제7권 제1호
발행연도
2021.1
수록면
21 - 31 (11page)

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What sets Hughes’ musical poetry apart from those of others is that his poems faithfully embody the forms and themes of the music he pursues and its evolution process, without partially borrowing or embodying musical elements superficially. This research will analyze Hughes’ boogie woogie poems and bebop poems compared with the typical format of blues and jazz, which have been the representative and symbolic music to African Americans. This paper will first examine the spiritual element of jazz and blues that represents African American’s periodical emotion in American history through the gradual growth and change of a greatest black poet Langston Hughes’ ideology and poetry. With the examination of Hughes’ various experimental techniques and literary skills proven in his different poems, this study will reflect African American’s desire for their delayed dream to come true which is to be completely free and positive even in all the yoke of chaotic American history. Based on the concrete analysis of African American’s typical dialect, their true language being used in their daily lives, this study will also discuss on the accomplishment of black aesthetics in Hughes’ pomes which was his final goal as a writer. This research will look into the social theme and psychological colonialism embraced in his poems. As a result, this paper will suggest black’s unique aesthetic identity Hughes tried to embody in all his life. For that purpose, this study will adapt the theory of George M. Fredrickson and Lawrence Levine for the exploration of black culture and black’s unique consciousness, and the theory of J. Tolson for the analysis of Langston Hughes’ jazz poems methodologically. This research intends to reinterpret African American’s own aesthetics, and to propose another chance for diverse races coexisting in America to understand each other’s characteristic.

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