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This essay re-evaluates Cameron’s portrait photographs in terms of its unconventional but innovative artistry. By paying special attention to her unconventional but modernized soft focus and unusual portrait compositions, this essay examines how Cameron created the visual language of psychological intensity and the spiritual quality of the mechanical photographs, which was still relatively new in her day. This is done by analyzing Cameron’s portrait photographs of not only famous men, Robert Browning and Alfred Tennyson, but also of fair women, Zoë, Maid based on Lord Byron’s poem, “Maid of Athens, Ere We Part” and Call, I follow, I follow, let me die! from “Lancelot and Elaine” in Tennyson's Idylls of the King. Although some critics still believe that the main reason Cameron’s portraits have a favorable reaction is not due to her talent, but the choice of her subject, this essay argues that Cameron eventually turned the mechanical photograph into an art form with her own photographic modern expressiveness. As the forerunner of art photography, Cameron was in the center of the modern movement in photography and certainly affected other female portrait photographers and other twentieth century Photo-Secessionists. Considering this, Cameron’s portraits are a converging force of her innovative artistic achievement.
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참고문헌 (26)
참고문헌 신청
Anon / 1867 / The Intellectual Observer: Review of Natural History. Vol. XI / Groombridge and Sons :30~33
Boyce, Charlott / 2013 / Victorian Celebrity Culture and Tennyson's Circle / Palgrave Macmillan :69~92
Brouzas, C / 1949 / Byron's Maid of Athens, her Family and Surroundings: A Monograph / Philological Papers 7:1~65
Brusius, Mirjam / 2010 / Impreciseness in Julia Margaret Cameron’s Portrait Photographs / History of Photography 34(4):342~355
Byron, George / 1851 / The Poetical Works of Lord Byron / John Murray
Boyce, Charlott / 2013 / Victorian Celebrity Culture and Tennyson's Circle / Palgrave Macmillan :69~92
Brouzas, C / 1949 / Byron's Maid of Athens, her Family and Surroundings: A Monograph / Philological Papers 7:1~65
Brusius, Mirjam / 2010 / Impreciseness in Julia Margaret Cameron’s Portrait Photographs / History of Photography 34(4):342~355
Byron, George / 1851 / The Poetical Works of Lord Byron / John Murray
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