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논문 기본 정보

자료유형
학술저널
저자정보
Hyeyoon Kim (Yonsei University)
저널정보
한국동서비교문학학회 동서비교문학저널 동서비교문학저널 제57호
발행연도
2021.9
수록면
395 - 423 (29page)
DOI
10.29324/jewcl.2021.9.57.395

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초록· 키워드

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Chang-dong Lee is a well-known Korean director whose films reflect the repressive social and political reality of South Korea. The film Burning (2018) is one of his recent movies which well reveals a current depressing atmosphere of the young people in contemporary Korea. The narrative and the construction of the movie follows the plot of William Faulkner’s short story “Barn Burning” (1938). The director adroitly adopted and transformed the plot-line to fit into the current atmosphere and times of the Korean society. Therefore, this thesis aims to discuss how the film elaborates the culture of the early southern US, which contemporary Korea bears no resemblance to, and modify it into the tragedy – extreme class inequality and immobility – which Korean society faces nowadays. This paper places the movie in a dialogue with the original text and, based on it, examines the social ramifications of the movie text. In doing so, it focuses on how both works are alike in the aspect of the devastating and fearful reality of each society.

목차

Ⅰ. Introduction
Ⅱ. Poor Whites in 19th ~ Early 20th Century Southern U.S. and Dirt Spoons in 21st Contemporary Korea
Ⅲ. The House, the Reflection of the Rich and the Poor
Ⅳ. The Relationship between the Father and the Son, and What Burning Reflects
Ⅴ. Conclusion
Works Cited
Abstract

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