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논문 기본 정보

자료유형
학술저널
저자정보
장예견 (조선대학교) 박재연 (조선대학교)
저널정보
한국전시산업융합연구원 한국과학예술융합학회 한국과학예술융합학회 Vol.38 No.4
발행연도
2020.9
수록면
339 - 354 (16page)
DOI
10.17548/ksaf.2020.09.30.339

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초록· 키워드

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The comic symbols have dual values of audio-visual aesthetics and cultural aesthetics as an auxiliary expression tool for image narrative. Each country’s animation has its own development path, which will inevitably make the differences for use characteristics of comic symbols, and studying these differences can better clarify the developmental process of comic symbols in different countries and cultural backgrounds.
This study takes classic works as research objects from different periods of animation development in the three countries of the US., Japan and China, uses literature research, observational induction, and statistics as research methods, based on five cartoon symbols in animation, and combines different cultures and Aesthetic tendency, horizontally compared the characteristics of comic symbols in different works in different periods of the three countries. According to this, longitudinally compared the same type of comic symbols in different periods in the three countries.
Studies have shown that: The United States pays attention to the entertainment in the narrative, uses more comic symbols in body and facial expression animation, and pays attention to the performance of its movements. The plot of its works is ups and downs, but they all end in a happy reunion; Japan pays attention to the philosophy of narrative, There are many comic symbols used in fighting and emotional expression, focusing on inner performance. Most of them end with the audience’s thinking. China has an ordinary narrative because of its cartoon creation foundations are poor, and more attention is paid to national traditional performance and philosophy. Among them, the use of comic symbols was relatively conservative in each period, and mainly focuses on studying the United States and Japan.

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Abstract
摘要
Ⅰ. 緖論
Ⅱ. 漫畵符号的分類
Ⅲ. 漫畵符号的動畵應用
Ⅳ. 漫畵符号的具体使用
Ⅴ. 各國動畵中漫畫符号使用特点比較
Ⅵ. 總結
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