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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- The Academy of Korean Studies THE REVIEW OF KOREAN STUDIES THE REVIEW OF KOREAN STUDIES Volume 18 Number 1
- 발행연도
- 2015.6
- 수록면
- 153 - 178 (26page)
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This article concerns itself with representations of adult overseas adoptee returnees in South Korean cinema since liberation until the present/2015. Attempting to historicize these, it questions how the adoptee returnee?as a gendered and ethnoracialized figure?comments on text-embedded ideologies of Koreanness and kinship at different moments in time. It argues that adoptee returnee representation, as deployed in male-authored nation narration, has evolved in consolidation with the socio-economical, ideological and political circumstances of the day. The first part of the article traces the adoptee returnee figure as it first appeared in the films of the late 1960s and early 1970s. With the booming South Korean economy in the 1970s, the adoptee returnee figure largely disappeared from the silver screen and was “replaced” by representations of adoptees within their adoptive countries. Since the Asian Financial Crisis in 1997 and the official declaration of the New Multicultural South Korea in 2005/2006, the adoptee returnee has reappeared as a salient and refurbished figure in the cinescape, which can be considered as “a return of the returnee” (thus the title). The second part of the article offers a closer reading of returnees and family reunion discourse in postmillennial films.
목차
Introduction : South Korean ICA and the Study of its Cinematic Representation
The Adoptee Returnee in Cold War Coalition Films
Anti-ICA Films and Christian Minjung Ideology
The Asian Financial Crisis
Female Return: Fertile Bodies, Futile Reunions
The Remasculinization of Adoptee Male Returnees
Adopting the Nation: Finding Four Fathers
In Closing
References
Abstract
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UCI(KEPA) : I410-ECN-0101-2020-911-000957900