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The Photographic Expansion of André Bazin's Cinematic Realism into the 'Forme Tableau'
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앙드레 바쟁의 리얼리즘 미학의 사진적 확장 - '타블로 형식' 사진을 중심으로 -

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Type
Academic journal
Author
Yeo Mun-Ju (중앙대학교)
Journal
Korean Research Center For The Arts The Korean Journal of Arts Studies No.27 KCI Accredited Journals
Published
2020.3
Pages
27 - 48 (22page)

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The Photographic Expansion of André Bazin's Cinematic Realism into the 'Forme Tableau'
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Abstract· Keywords

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Applying Andre Bazin’s cinematic realism theory to photographic artwork, this paper will prepare an aesthetic basis for discussing the artistic values of the recent documentary photography known as ‘forme tableau.’ The focus of his realist aesthetics, influenced by Merleau-Ponty’s existential phenomenology, is to represent reality as it is, and to encourage the spectator to be an autonomous subject for the interpretation of film work. We will discover the very similar points between ways of representing reality in ‘forme tableau’ and techniques such as ‘deep focus’ and ‘long take’ in realist film works promoted by Bazin. We will also study how the photographic rhetoric of ‘forme tableau’ may be connected to the effects that reveal the ambiguity of reality in order to induce spectator participation.

Contents

국문초록
1. 서론 : 재현의 위기의 시대, 리얼리즘
2. 바쟁의 리얼리즘 영화미학
3. 리얼리즘 매체로서 사진의 창조적 가능성
4. 뷔스타망트의 ‘타블로 형식’ 사진에서 리얼리즘 미학
5. 결론 : 능동적 관객의 탄생을 위하여
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