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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2019.12
- 수록면
- 159 - 168 (10page)
- DOI
- 10.17548/ksaf.2019.12.30.159
이용수
초록· 키워드
오류제보하기
This study dealt with Kim Daesoo’s work 1988-1998, which were characterized by convergent construction of various media such as photography, painting, sculpture, engraving based on plastic experimentation. In this period, Korean photography showed radical changes, different from previous photographic tendencies and were seen in big size print and with mixed use of technique.
Kim Daesoo presented new visual form by an artistic act of organizing artistic materials, similar to be seen in the development of western art. He tried to search for the self and meaning of life in his work. His visual strategy was also to reinforce intuitive recognition and influence viewer’s perception. These qualities, exhibited generic attributes of works which are discussed as explicit expansion of conceptual thinking. This study contributed to suggest right viewpoints on Kim Daesoo’s photography.
Kim Daesoo presented new visual form by an artistic act of organizing artistic materials, similar to be seen in the development of western art. He tried to search for the self and meaning of life in his work. His visual strategy was also to reinforce intuitive recognition and influence viewer’s perception. These qualities, exhibited generic attributes of works which are discussed as explicit expansion of conceptual thinking. This study contributed to suggest right viewpoints on Kim Daesoo’s photography.
목차
Abstract
Ⅰ. Introduction
Ⅱ. Korean Photography 1988-1998
Ⅲ. Analysis of Kim Daesoo’s Photography
Ⅳ. Image Construction and Perception
Ⅴ. Conclusion
Reference
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UCI(KEPA) : I410-ECN-0101-2020-600-000259478