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In this article, I situate August Wilson’s Joe Turner’s Come and Gone and Toni Morrison’s Paradise in the Great Migration (1915-1970) during the early-and mid-twentieth century. In so doing, I intend to show both the potential and limit of building all-black community against the white oppression in the US. Specifically, Seth Holly’s boardinghouse in Wilson’s play and the Convent in Morrison’s novel serve as a temporary shelter for African American wanderers but fail to produce a Utopian sanctuary for all-black community. Nonetheless, they become a stage where black migrants’ frustration, internal conflicts, rage, and trauma are projected and re-enacted. By reiterating the pathological symptoms of black migrants even in those sequestered, supposedly safe black havens, the two authors put the idea of all-black community in question and defer the moment of black migrants’ wish-fulfillment through which they dramatically expose the traumatized mentality of black migrants and their rootless wanderings.
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참고문헌 (26)
참고문헌 신청
Berlin, Ira / 2010 / The Making of African America / Viking
Bigsby, Christopher / 2007 / The Cambridge Companion to August Wilson / Cambridge UP : 1 ~ 27
Bryer, Jackson R / 2006 / Conversation with August Wilson / UP of Mississippi
Burger, Frederick / 1999 / The 1921 Tulsa Race Riot: A Holocaust America Wanted to Forget / The New Crisis : 15 ~ 16
Curtin, Philip / 1970 / The Atlantic Slave Trade: A Census / U of Wisconsin P
Bigsby, Christopher / 2007 / The Cambridge Companion to August Wilson / Cambridge UP : 1 ~ 27
Bryer, Jackson R / 2006 / Conversation with August Wilson / UP of Mississippi
Burger, Frederick / 1999 / The 1921 Tulsa Race Riot: A Holocaust America Wanted to Forget / The New Crisis : 15 ~ 16
Curtin, Philip / 1970 / The Atlantic Slave Trade: A Census / U of Wisconsin P
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