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The paper compares how Yeats and Pope in their works, The Words Upon the Window-pane and “The Rape of the Lock,” treat real people. Though the genres are different, they both have a similar approach to dramatizing the stories. Pope’s is a narrative poem with qualities of drama, and Yeats’s is a play, which includes powerful poems, rendering the whole play poetic. These two writers, in addition, rely on readers’ preconceptions of spirits and ghosts, making their works even more mysterious and fantastic. This paper discusses how both writers use the elements of the supernatural to dramatize the stories of real people for literary creation.
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참고문헌 (10)
참고문헌 신청
Brooks, Cleanth / 1972 / A Collection of Critical Essays / Prentice-Hall
Fairer, David / 1989 / The Poetry of Alexander Pope / Penguin Books
Gooneratne, Yasmine / 1976 / Alexander Pope / Cambridge UP
Hennessey, Oliver / 2004 / Talking with the Dead: Leo Africanus, Esoteric Yeats, and Early Modern Imperialism / ELH 71 (4) : 1019 ~ 1038
Miner, Earl Roy / 1957 / A Poem by Swift and W. B. Yeats’s Words Upon the Window-Pane / Modern Language Notes 72 (4) : 273 ~ 275
Fairer, David / 1989 / The Poetry of Alexander Pope / Penguin Books
Gooneratne, Yasmine / 1976 / Alexander Pope / Cambridge UP
Hennessey, Oliver / 2004 / Talking with the Dead: Leo Africanus, Esoteric Yeats, and Early Modern Imperialism / ELH 71 (4) : 1019 ~ 1038
Miner, Earl Roy / 1957 / A Poem by Swift and W. B. Yeats’s Words Upon the Window-Pane / Modern Language Notes 72 (4) : 273 ~ 275
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