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This paper studies the relations of Yeats with Blake, as well as Heaney with Yeats, and the making and practice of trans-national/personal poetics, as manifested in each of the writers’ work. But it is in fact a study of tradition that transforms the later poets, such as Heaney in relation with Yeats. That is, the interaction between writers of past and present is none other than the poetics of relation. My attempt here is to compare Donne, Blake, and Heaney with Yeats focusing on the poetic work of W. B. Yeats making both the past and the present his poetics and, based on this, making a large corpus of work.
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