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공학 일반 건축공학 기계공학 산업공학 재료·에너지공학 전기전자공학 조선해양공학 화학공학 컴퓨터학 기타공학
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학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국공간디자인학회 한국공간디자인학회 논문집 한국공간디자인학회 논문집 제12권 제2호
발행연도
2017.1
수록면
9 - 18 (10page)

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초록· 키워드

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(Background and Goal) Among various objets, chair design is influenced by spatial size, shape and characteristics of consumers. Chair in the space is usually affected by consumers, and sometimes it causes their behaviors; through these, various communication happens. In other words, chair is an essential factor that composes space, and it plays a medium between human and space as objet. Therefore, prospecting chair design in stance of space design is worthy enough to implement. (Research Method) In this research, we try to analysis chair design of Arne Emil Jacobsen and Verner Panton in aspect of space objet among numerous sorts of chairs. First of all, we considered traits and developed background of modern design in Demark and arranged concepts about relationship between space and objet as theoretical contemplation. For the next, we looked into traits through 8 pieces of chair design arts of Arne Emil Jacobsen and Verner Panton. Finally, we analyzed and classified traits of chair design of two maestros by their functions of shape, material, end and space, and we drew a conclusion. (Result) As chair design of Arne Emil Jacobsen and Verner Panton was analyzed in aspect of space objet, chair design of Arne Emil Jacobsen expressed organic forms in metaphorical way, and pursued simplicity to the exclusion of unnecessary decorations. Additionally, it pursued humorous and flexible formativeness as an united body forming back and seat together. For materials and end, minimizing materials, production process, and integrating new technology of plywood molding method were pursued. For spatial function, stacking functions which are light and able to store helped to get comfortable movement and minimize space, and it offered comfort by shaping personal space wrapping people's body. Additionally, it could be transformed in various shape, and it made us to use it in multiple ways according to necessity of space. Chair design of Verner Panton pursued dynamic shapes and abstract curves following tendency of pop arts. They used various materials such as synthetic resins and metal rather than timber which were found by experiments using new materials, and prefer primary color with high chroma. For spatial functions, they offered various options and variables to positions and locations, and made a border between space and chair ambiguous. Also, they pursued light and practical design. (Conclusion) Finally, we contemplated functions in space, and analyzed examples or arts relevant to chair design as space objet. As space objet, we could figure out chair was a device factor which were fitting on aim of space, and it induced users to participate, and it was functionally and physically objet. In the future, we hopefully expect that this article can be used as a baseline data for research about space, chair, and compatibility between space and human's behaviour based on this result.
#공간디자인 #의자디자인 #오브제 #아르네 야콥센 #베르너 팬톤 #Space Design #Chair Design #Object #Arne Jacobsen #Verner Panton

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참고문헌 (9)

참고문헌 신청
Elizabeth clement / 1996 / Philosophy dictionary / 1996 East Press google schola Kang, Heunggu / 1995 / Conception of Contemporary art / Jaewon Press google schola Kim, Jinwoo / 2001 / A Study on the Characteristics of Arne Jacobsen’s Furniture Design / Journal of the Korea furniture Society 12 (1) : 69 ~ 79 google schola 김아람 / 2011 / 데니쉬 모던을 바탕으로 한 아르네 야콥센과 베르너 팬톤의 디자인 특성 연구 / 석사 / 건국대학교 건축전문대학원 google schola 김예슬 / 2011 / 패션 리테일 샵에 나타나는 현상적 오브제의 적용 유형과 디자인 방법에 관한 연구 / 석사 / 건국대학교 건축전문대학원 google schola

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