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논문 기본 정보

자료유형
학술저널
저자정보
Yan Gan (Kyushu University) Yasuyuki Hirai (Kyushu University)
저널정보
한국디자인학회 Archives of Design Research Archives of Design Research Vol.31 No.2 (Wn.126)
발행연도
2018.5
수록면
25 - 37 (13page)
DOI
10.15187/adr.2018.05.31.2.25

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초록· 키워드

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Background : Existing products can be seen as stimuli to generate modern design, and historical stimuli can serve as inspiration for famous modern chairs. The designers of these modern chairs referred to the main features of historical chairs to create modern versions of the chairs. But it is not clearly known how and why modern chair designers launched this design approach and whether it has practical value. To explore these issues, this article analyzed eleven famous modern chairs by Japanese designers.
Methods : First, a literature review was conducted and eleven famous modern chairs were selected. Second, a qualitative investigation of interviews with professional Japanese designers was carried out. Third, a quantitative investigation was carried out via questionnaires given to the same Japanese designers.
Results : Japanese designers thought that there were five decisive reasons to affect the historical chair stimulation design approach. They were technique (materials and manufacture), ergonomics(high-precision ergonomics), culture (aesthetic popularity), marketing (customer motivation), and space (environment harmonization). Meanwhile, Japanese designers were in favor of using the backrests of historical Scandinavian and German chairs as main reference simulation.
Conclusions : Modern design stimulated by historical existing products is highlighted by many studies for positive benefits. Technique, culture, ergonomics, marketing and space are the five factors that can be viewed as driving forces for the design of modern chairs stimulated by historical chairs. This design approach value is characterized by the reference to historical features for the aim of promoting diverse modern design culture.

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Abstract
1. Introduction
2. Methods
3. Procedures
4. Results
5. Discussion
6. Conclusion
References

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