메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한영어영문학회 영어영문학연구 영어영문학연구 제43권 제2호
발행연도
2017.1
수록면
49 - 73 (25page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
Kim, Yeonmin. “Thomas Hardy’s Mourning: Photographic Images in Emma Poems.” Studies in English Language & Literature 43.2 (2017): 49-73. A melancholic mourner, Thomas Hardy expresses his unending lamentation for the death of Emma, his first wife. In Emma poems (Poems of 1912-13) he adopts photographic images in the process of his mourning as a modern elegist. The visual images he captures in his poetry can be discussed in three ways: First, the presence of the dead is revealed through metonymy. Hardy suggests that metonymic objects retain direct traces of Emma in the same way as a photograph, which develops the light, keeps the direct contact with an object. Second, he conveys through photographic images an experience of sudden, stingy awareness, a sort of “punctum,” a concept theorized by Roland Barthes. Hardy’s punctum confirms the undeniable fact that Emma was there in the past, despite her absolute absence in the present moment. Last, his punctum creates dramatic irony arising from perceptual gaps between an object (Emma) and an observer (Hardy or readers). In showing his painful awakening, always belated but rendered by the dramatic irony through the visual, Hardy continues his perpetual project of melancholic mourning. (Chonnam National University)

목차

등록된 정보가 없습니다.

참고문헌 (18)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0