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Time and Sensation : An Ontology of Time Illustrated with the Story of A Portrait of the Artist as a Young Man by J. Joyce
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시간과 감각: 제임스 조이스의 젊은 예술가의 초상을 예시로 삼아 전개된 시간의 존재론

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Type
Academic journal
Author
Journal
Heidegger-Gesellschaft In Korea 현대유럽철학연구 현대유럽철학연구 제38호 KCI Accredited Journals
Published
2015.1
Pages
279 - 316 (38page)

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Time and Sensation : An Ontology of Time Illustrated with the Story of A Portrait of the Artist as a Young Man by J. Joyce
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The main purpose of this paper is to demonstrate that Heidegger’s ontology should be based on an philosophical analysis of the relationship between Time and sensation. My argument can be summarized as follows: 1. Sensation in its primordial moment should be understood as the original enowning of Being, which means that sensation is the ontological ground for Dasein to exist as a temporal being in its transcendental relation with Being. 2. Ontologically time is to be understood as the revelation of ontological meaning of Dasein as being-between-sensations. This revelation is based on Dasein’s insight into the absolute spontaneity and originality of sensations. 3. The explication of Dasein as being-between-sensations is to be understood as the most primordial ground for ontological investigations into the existential relationship between morality, freedom and time.

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