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자료유형
학술저널
저자정보
저널정보
한국태국학회 한국태국학회논총 한국태국학회논총 제17권 제1호
발행연도
2010.1
수록면
135 - 151 (17page)

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The purpose of this study is to analyze Ngopa by using Aristotle’s theory of tragedy, which is regarded as the origin of theories of tragedy. According to Aristotle’s definition of tragedy in The Poetics, “tragedy” is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Amongst Thai literature, it is difficult to find a literary work which fits into the form of tragedy, or more specifically, Greek tragedy. A lot of Thai literary critics and Thai literature textbooks mention that Ngopa, the literary work of King Chulalongkorn(Rama V) and one of the masterpieces of Thai literature, is a tragedy with western style because the three main characters die. Ngopa ends with the deaths of the three main characters, and such ending makes the audiences and the readers feel sorrow and pity. The tragic deaths of them, however, result from their passions which are beyond control, not from the tragic flaw. Besides, none of them can be categorized as a tragic hero according to Greek tragedy. Therefore, Ngopa may be regarded as a tragedy only in terms of broad and modern sense. To summarize, the analysis of Ngopa by using Aristotle’s theory of tragedy shows that Ngopa is merely a tragic ending story, rather than a tragedy.

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