지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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The purpose of the study is to improving communications of mask dramas between the two countries. Starting from holistic perspective, single case study as breakthrough, selects China Dejiang-nuotang Mask Dramas and Korea Songpa-sande Mask Dramas as research objects, based on the history background of two countries’ mask dramas, structure and contents as breakthrough of analysis, focusing on description of the detailed characters of the two dramas. Meanwhile, differences and similarities of the two mask dramas, referring to document literature, image data and field survey results, in composition and content, are pointed out and analyzed.
The results of the study are follows: from the view of composition and content of this mask dramas, the Korea 〈Songpa-sande mask dramas〉 reflects the irony of the two classes and the mockery of the monks, etc. While the China 〈Dejiang-nuotang mask dramas〉 is more express the opposition between the farmers and landowners, family conflicts, love stories, myths and legends. From the performance perspective, 〈Songpa-sande mask dramas〉 tends to use music and dance movements to promote the progress of the plot, while the 〈Dejiang-nuotang mask dramas〉 pay more attention to the variety of lines and flexible transformation as a form of singing.
The results of the study are follows: from the view of composition and content of this mask dramas, the Korea 〈Songpa-sande mask dramas〉 reflects the irony of the two classes and the mockery of the monks, etc. While the China 〈Dejiang-nuotang mask dramas〉 is more express the opposition between the farmers and landowners, family conflicts, love stories, myths and legends. From the performance perspective, 〈Songpa-sande mask dramas〉 tends to use music and dance movements to promote the progress of the plot, while the 〈Dejiang-nuotang mask dramas〉 pay more attention to the variety of lines and flexible transformation as a form of singing.
목차
Abstract
Ⅰ. 서론
Ⅱ. 한국과 중국의 가면극 고찰
Ⅲ. 한국 〈송파산대놀이〉와 중국 〈더장나당희(德江儺堂戱)〉의 사회문화적 배경
Ⅴ. 한국 〈송파산대놀이〉와 중국 〈더장나당희(德江儺堂戏)〉의 구성 및 내용 비교분석
Ⅵ. 결론
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UCI(KEPA) : I410-ECN-0101-2019-620-000542355