메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
Mario Laarmann (Humboldt University of Berlin)
저널정보
숙명여자대학교 아시아여성연구원 Journal of Multicultural Society : OMNES OMNES 제9권 제1호
발행연도
2019.1
수록면
90 - 109 (20page)
DOI
10.14431/omnes.2019.01.9.1.90

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
Contemporary scholarship on Jamaican-born writer and poet Claude McKay, an influential figure of the Harlem Renaissance, seems to be unanimous in approaching his work through a lens of inter- or transnationalism. Thereby, mainly two aspects are often emphasized: First, his traveler’s life which he has documented in his autobiography A Long Way from Home, and second his political position, traceable in both his fictional and his non-fictional publications. This essay explores a third aspect of McKay’s transnationalism: his politics of culture and identity. Assuming that experiences and practices of groundedness and movement go along with an understanding of the self, I analyze McKay’s 1928 novel Home to Harlem and argue that the built-in paradox James Clifford calls “dwelling-in-travel” is not only evident in the novel’s politics of space, but can also be traced in its politics of gender relations and his representation of race.

목차

Abstract
McKay’s Transnationalism
Dwelling and Traveling
Politics of Space in Home to Harlem
The Portrayal of Gender Relations
The Question of Racial Essentialism
References

참고문헌 (23)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0