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The metaphor of Disaster, Family and Tradition
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재난사회의 은유와 가족 그리고 전통 : 〈바닷마을 다이어리〉와 〈심야식당〉을 중심으로

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Type
Academic journal
Author
Seo, Dong-soo (상지대학교)
Journal
Story & Image Telling Research Institute Story & Image Telling Vol.16 KCI Accredited Journals
Published
2018.12
Pages
69 - 94 (26page)

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The metaphor of Disaster, Family and Tradition
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The aim of this paper is to consider the role of familyism and tradition in Japan"s disaster movies. The study covers the movies Bad Village Diary and The Night Restaurant. These works do not explicitly reveal disasters, but rather show the degree of disasters that have been committed in everyday life by metaphorizing them. The way to fight back in Japan"s disaster movies is to rely on the past of tradition. For them, the past is not a passing time but a powerful force that gives them their identity. Disaster movies are a source of mourning and summons for the loss of the batter. Disaster movies are the desire for a recovery of the dying paradise, and through the structure of Sumi, the movie aims to show that the past and the future are the same cycle of time. They will go through daily conflicts, but eventually return to the "time of day" where nothing happened, creating an abstract, non-time-free world that returns to a time when disaster did not exist. However, it is historical backward and psychologically obsessive.

Contents

국문초록
Ⅰ. 서론
Ⅱ. 재난가족과 전통이라는 인장: 〈바닷마을 다이어리〉
Ⅲ. 사회적 재난과 실낙원의 소환: 〈심야식당〉(극장판)
Ⅳ. 결론
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2019-802-000333263