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논문 기본 정보

자료유형
학술저널
저자정보
申旻也 (靑雲大學校)
저널정보
중국어문학연구회 중국어문학논집 中國語文學論集 第112號
발행연도
2018.10
수록면
251 - 275 (25page)
DOI
10.25021/JCLL.2018.10.112.251

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초록· 키워드

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In the late Ming Dynasty, a representative popular literary person, Feng Meng long(馮夢龍), created poems of imitate folk song based on folk songs and recorded it in 『Jiazhutao(夾竹桃)』 which contains a total of 123 poems including 1 preface(前序) and 1 epilogue(後序). The poems of imitate folk song in 『Jiazhutao(夾竹桃)』 contain a love story between men and women, and most of them sing promises, encounters and longings with the mouth of a female speaker.
The greatest significance of Feng Meng long(馮夢龍) is that it brought the line of 『Qianjiashi(千家詩)』 with enlighten characteristic into a folk song. This means that vulgar literature became the subject and made ornate literature(雅文學) vulgar. Even poetry written by Du Fu(杜甫) which was a model of Confucian poets, poetry written by Neo-Confucianism which denied human desires, and poetry written by the Emperor who was the symbol of absolute power in the feudal era were used to honestly express the desires and sexual desires of oppressed women in Feng Meng long(馮夢龍)’s poems of imitate folk song. This reflects Feng Meng long’s view of folk songs to reveal the falsehood of feudal ethics through the true feelings of man and woman, and it was able to derive the characteristic of anti tradition in his poems of imitate folk song.

목차

1. 서론
2. 풍몽룡 擬民歌詩의 형식
3. 풍몽룡 擬民歌詩의 反傳統性
4. 결론
〈參考文獻〉
〈ABSTRACT〉

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